Sea Chanties
SEA CHANTIES
Lou was dying and he was holding a salon
in his hospital room. The medicines he
had taken for his heart and circulation since his coronary had poisoned his
kidneys and liver.
He did not sound sick over the phone; he
sounded more vigorous than Manny remembered him. Drop on by.
He didn't need any more practice for sleeping. He wouldn't be an insomniac corpse. Visiting hours were extended until
eleven. The fix was in.
He sounded a touch brassy. Manny could hear voices in the background. They were loud and there was braying
laughter, and Manny thought they were all blowing the trumpet of bravado.
Manny did not want to join this
group. He argued to Florence that he did
not belong in that tight circle of family and close friends. She should remember how consistently they had
dodged invitations to Block Island because too muchness of all things together
would strain their relationship with Pearl and Lou which was, after all, based
on manageable doses, the yearly dinner, the bi-annual movie, and these hardly
seemed to warrant their participation in this prenuptial wake.
Florence was determined to go and Manny
knew he would have to as well, but they decided they would go separately, which
Florence thought was unnatural since they had always seen Lou and Pearl as a
couple. Manny suggested it was less forced and ritualistic. He meant to postpone the visit as long as he
could. And then, the means to do it.
Manny was chosen to give the plenary at the Association's annual convention. He had two months to prepare but it was not
as if his other duties would slack and so he now had an excuse to fill the
evening hours when he might have visited Lou.
Along with the honor came obsessing over
why he was chosen. All members of his
Association were masters of symbolic and double meanings. Manny had been circumspect in discussing his
medical condition, but still the information had certainly leaked out. If he put his mind to it, he could remember
several times when he had fished for sympathy among his colleagues, lapses
certainly and ill-advised considering their skill at heartlessly dissecting
need, and there had been other times when he had needed confirmation of his
good soldiering, which also required a confession. The plenary could be interpreted as a
disguised retirement speech, the laurels bestowed on him out of the complicated
balancing and checking of power within the Association as a way of putting it
out of play for a year, bestowed posthumously as it were.
This consideration decided Manny on his
title, "The Termination of Therapy", ostensibly concerning how to
decide when, and then to accomplish, the severing of the therapeutic
relationship, but which he jumped into under the working title "The Termination
of a Therapist", donning his headset with its floating mike wand and
recording hours of talk which he erased at the end of each evening without
transcribing. Meanwhile, Florence reported on the death of Socrates, Manny's
description, being staged at the hospital.
Maury Potkin had rewarded Manny with the
plenary, and it was Maury Potkin seated in the audience who Manny pictured as
he spouted his phantom speeches. Maury
Potkin had the head of a Roman Emperor.
His gleaming white hair was cropped close and combed forward on his high
forehead. He had a Riviera tan. It persisted into winter, and for years Manny
had hoped its olive hue was the result of a liver ailment. He would be seated
next to his wife, a tall woman who had become brittle during the last decade or
so, but who Manny remembered from his first acquaintance when she was
gracefully gangly in that coltish way reserved for WASPS, heedless and high
spirited while somehow wistful at the same time. Maury's career had shadowed Manny's, and then
he had sprinted around Manny, though never appearing to have to breathe hard,
grabbing the golden apple or plum of publisher of the Association's journal,
from where he dispensed draughts of immortality and was more feverishly courted
than Manny as president. Over the years Manny had watched the unbridled spirit
of his wife, that sheets to the wind luffing and flap, furled in, and for years
her evolution into softly glowing vacuity gave him satisfaction, until he
finally recognized it for what it was, saw the lantern glowing steadily
beneath, the look of lazy, sure patience, and knew she was a woman in the
nimbus of sexual bliss, and his satisfaction turned to anxiety.
He thought that this year the plenary
would make him a spectacle, the audience of his peers studying him for
deterioration: the sentence left dangling, rambles, breathing wheezing in the
speakers. He came out swinging. The next night he would have had to position
himself in the words of the night before so he erased them, letting himself fly
headlong, leaving a jet stream of words behind that traced lovely patterns and
then disappeared.
The recorder and headset helped him break
the bonds of discretion. The windy
reaches bristling in the earphones suggested clairvoyance, pocketing the ether
as a shell did the briny. They also
stoppered his ears so he could only hear his own voice through his skull. The words acquired an autonomous compulsion,
or he was not fully responsible for them.
It was as if he had put on a stethoscope and could hear the corporal
interior of each word, the working of its separate lungs on their common
breath. And the recorder, the foot
treadle pressed, seemed either to suspend or reel in time, tailoring it; it
injected itself as metaphor, splicing out rectangles from the ether or
quadrants of restive, loamy silence, and whatever he said was stitched onto
these pleats of shaped and thickened material:
"Patient C. had been
institutionalized three years by the time I began my rotations in July,
nineteen fifty-four. Caucasian male, age
twenty-four. Diagnosis: Satyriasis. He did not agree. It was the least he could do. Masturbating to orgasm fifteen times a
day. He did not ask me to imagine his
world. He never did. Mildly retarded. In retrospect I would diagnose autism,
Ausperger's, though these would be approximations. He had no fantasy life. His masturbations were not accompanied by
fantasies, he had the autistic's ability and liability of remembering the
literal. He had no dementia with which to
decorate the institution where he was.
Most of you are too young to remember these places. Some of them were surrounded by pastoral
grounds, and there might be echoes of manor houses when you approached them or
of a university, but in this they shared an architectural ethos of the era with
factories and penitentiaries. The hallways could remind you of the
high-mindedness of the original intent.
Long, long, lit by pale light at the ends where doors with glass windows
led to fire stairs: The light there was the same skim found floating in
cathedrals.
I asked him what he fantasized when he
masturbated. It was the consensus of the
doctors that only adverse conditioning stood any chance with him. He was subjected to various forms of blood
cooling. Talk therapy had proven
useless, and instead a regimen of nineteenth century optimistic cures were
applied, balancing of spiritual humors with physical functions that might have
been found in a tuberculosis conservatory, the poetic reasoning anyway, with the
caveat that we were not dealing with a condition of melancholy and over
refinement, but a conflagration of the libido.
He was put on fasts and diets without red meat, eventually reduced to a
monk's barley gruel and water. He was
denied fruit, on the idea that all fruits are too sensually suggestive, and was
saved from scurvy as impressed British sailors were a century before, by
bitter, green limes. The flames were
doused in cold tubs with wooden lids with a hole cut to accommodate his neck
and head. He would be removed when his
lips were a livery lilac hue and his teeth chattered like castanets, but an
oyster of semen would be found floating in the water or dripping from the
wooden cover, and his dousing lengthened until his core body temperature had to
be braced up afterwards with warm teas and forced marches spurred on by two
orderlies who supported him by the shoulders, his body resurrecting by spastic
jerking and twitching. Lobotomies were
in abeyance then, electro-shock had been tried with little hope and abandoned:
He was not depressed in any cooperative or collaborative sense. He was not pointedly rebellious, but had
neither the imagination nor complex self-consciousness to throw himself onto
the mercy of a diagnosis. The
disorienting effects of electro shock were self-medicated by masturbation. I don't believe he suffered the alarm of the
blasted, exhausted self which emerges from these treatments, and at that time
the charge was applied without sedation and the patient was strapped down. We had yet to be sure that its therapeutic
effects were not the result of dread and mortification, which is to say, we
worked with more assurance back then and with less skepticism coming from a
public unused to prosperity and happiness.
But, even the physical trauma, the black and blue welts and sprains he
would wake to, because the voltage was increased while the tautness of the
leather straps was decreased to effect some result-our scientific curiosity and
humanitarian helplessness have subsequently been refined to a nearly
non-metaphoric use of erosive drugs, but back then we were not entrepreneurs,
we were philosophers and scholars with an intellectual's imperative to
interrogate this mud wad that has been thrown at us. The physical trauma did not seem to result in
self- pity. From self-pity perhaps he could be led to self-awareness, but he
recovered without recognizing his unconsciousness. He was innocent of a
connecting story in memories whose lost pages might be missed, and awoke with
some of the amnesiac freshness and immediacy we think of as the gift of
animals.
To imagine
his world I try to forget a locus for the self.
When he again found his penis he had rediscovered himself, who was a
source of pleasure and a point of intense focus, a unitary apperception in a
world, which I believe, had to have fairly glowed with re-creation.
The electro-shock was counter prescriptive
it was decided. The libido was discussed as having an electrical bias that the
voltage might actually be augmenting. Lacing his hands into huge mittens was
discussed, but the same problems of sanitation as for a chastity belt dissuaded
the plenary sessions of the staff. Some
kind of hood or muzzle was also suggested, but without his cooperation we would
have needed to enlist a blacksmith to secure it. These discussions often took a turn to the
comic, some of the devices recommended had the expanding hygiene of Victorian
syntax. They engaged our ingenuity too and a cooperative glee. A game of trump
and counter trump ensued, and the basic point of sequestering that organ with a
machinery of levers and pulleys diverted us into Rube Goldberg blueprints that
included beasts cued to dropping food stuffs all hooked to that endless energy
source of his hydraulic erection. For a
while he was straight jacketed and isolated, and daily hosed clean, but the
required spoon feeding gave him a chance to rub himself against his keeper,
defeating our plans, breaking his fast, and sending us back to the old drawing
board to devise Inquisitional machines that would keep his pelvis from wall or
floor or an unsuspected limberness that would allow him to employ his knees
against medical advice.
Possessed by the idealism and confidence
of a newly minted psychiatrist in his first residency, I began sorties into
psychiatry with him. He had no urge to
confess, but I thought he could be induced to talk if we began with his chief
interest in life. I asked him if he
fantasized when he masturbated. He did
not understand the question. I rephrased
it. Do you see anyone when you
masturbate. It took us a bit to arrive
at a common understanding of masturbation.
It was a transparent act for him.
It is not just that the term is loaded, the act is for most. Even using other phrases all more or less
derogatory he had trouble understanding this separation of the act out of his
life. I would say masturbation was his
genius, that is to say he was its instrument, and if he was at those times most
in possession of himself, he was also completely absent. The self he had was emptied of anything but
what was given at the time and left when he was done. Finally, we reached a place of obfuscation
where we could talk. His idiocy was his
purity and we blemished that sufficiently through suggestion until he was able
to answer that he did not imagine anyone.
He was not being evasive, he did not understand the question. He did not understand the interrogative. He
was not capable of positing an alternative to what was, and so the concept of
choosing alternative explanations was beyond him.
It
turned out he saw, we will call her Betty, and felt her, and heard her and
smelled her, but he had no concept of pronouns.
"Anyone" made no sense to him, only a proper noun. Betty, one supposes, beginning with dazed
relish, finishes a tattered rag. One
need not suppose. She had blue bags
beneath her eyes and bleeding lesions in every orifice. He had archived her wounds; he could summon
her without the distance of imagination and read them off, the blood a curious
presence, a morbid vitality, like mold, or rust, effervescing through the
rouge, raw membranes in small beads that then coalesced into smears and oozes. Betty had plucked eyebrows, she had freckles
on the backs of her hands and in the cavity of her throat that spilled down her
sternum and nutmegged the tops of her breasts.
She sat forward on the toilet when she peed, she probably had cystitis
because she complained that peeing hurt, and kicked and scratched when he loved
her up in the bathroom, on the loo, on the sink, which ripped out of the wall
shedding tile and plaster, and in the tub, where she clawed the walls and
cursed him. The little muscles in her
back stand out while she pushes off against the wall, and there are glades of
chaste flesh from the nape of her neck along the back of her shoulders, where
the scapula slide beneath, and there is another one at the base of the spine
just above the buttocks.
C.
lived in a world of immanent beauty and realized truth. Therapy could not touch him. When I left he was no closer to being
released than he had been two years before.
Truth and beauty so co-extensively joined are a psychosis impenetrable to
psychoanalysis. C. had organic damage,
some structural flaw, an absence of architectural complication, an amputation
of an intervening distance that in the rest of us is the area from where we
live. The damage had fused truth and
beauty into one for him, and because of that accident which is a philosophical
achievement and a moral one, he did not dream.
Not as we do. He was cut off from
the common lies. There was nothing to be
fulfilled in dreams, it had already happened.
His life had a surplus of actuality.
It was a defect. He could not
imagine things otherwise and did not feel cheated. The world was true to its farthest margins which
were filled entirely. Nothing was left
over for dreams, no interior unlived, no bitterness, no time used up. And his dreams, no less or more inhibited by
actuality than his waking could not be distinguished from being awake and had
no wish in them, no serenade of slumber. Nothing was coated in symbol or
burdened by it.
Let me tell the strangest symptom of all. Yes, it was strange to hear him relate his
past. He simply pointed to it, nothing
was embedded in a fable. He had no feel
for it being in the past, he had no affection for it, he did not intrude
specifically on his memory; he did not see himself as the point of it or the
origin of it. It passed out of him
without his intervention and was not bathed in the humors of the self which in
us ripen to nostalgia and mourning. They
were fresh and sterile and arid. Looking at him one could see time refracting
as if he were submerged.
He
was deaf to music. This deafness the difference that coalesced all the
others. When I played a radio for him he
could do an imitation of static and interference, he had not heard the
music. The plangency of each individual
note, its clothing in longing or tuning, in organization towards perfection or
actualization of the impossible, or the
embodying of a frustrated self or the materialization of a wish, made them
inaudible to him. They were in a sense
bodies conjured by a median, they did not exist and he heard through them to
static. When I sang he could hear me as
long as I did not sing a song. Rhyme,
made the words disappear for him, of course symbolism had no meaning to him,
but the binding of the words into a separate body with its own sense and
mortality made it fade out of hearing.
Words as directions, as names, yes, but words arranged to find their own
heaven of sense, words made into existences that can live in the ether, these
he could not hear.
These institutions. Some of the acts we did that we should in
conscience most regret, were done to pinch ourselves. They were the only way to refute the sirens
of nightmare. A miasma of dementia and
delusions filled the buildings. What
might have been taken as the consensus of sanity among the doctors grew small
as a wafer in those halls. It tossed and
tipped, and the recovery of normalcy, a world of solid geometry, the return,
often it hovered above one, a glimmer of light, flickering, vanishing, small, a
tiny, tiny opening, far away, whose direction was uncertain and shifting, and
getting there, meant moving through turgid fathoms. You were trying to move
through the stuff of dreams.
Supervision. Discipline.
The imposition of rules. You must
take into account the medium through which each of us was moving. All my training, my life outside, compare it
to a flashlight. Firm in your hand, a
little cold, promising to throw light, to beat back shadows. Simple to understand with batteries and the
pert bulb in its skirt of reflecting plastic. I am talking now of logic. The easily understood mechanics of a canon of
thought. The security, the means for
survival. The inkiest of shadows seem to
press in on the beam, the batteries fade, the bulb dims and a weak dribble of
light dries in the dark, and one is left clutching a small baton which has
become inert and comforting only as a sentiment.
Doors are left unlocked. Slippers scrape along the hallways. C. was in constant demand. Insanity is always accompanied by sexual
mutation. Monstrosities were housed
there. The nymphomaniacs found him.
Perhaps they were encouraged.
There were matchmakers. There
were the curious, the withered, the vulgar, the shy. A mob to watch the gladiators. To watch combat among chimeras and
enormities.
Not
difficult to imagine an orderly releasing the nymphomaniac from the woman's
dorm and leading her to an assignation with C.
The taunts of those women. The impossible invitations. The hostile,
brutal nakedness. Their witchery. They
mutated through the forms women take in the male gaze. Unbearable coincidences,
accusations, mimetic intuitions, a tarot reading of the arcana of your
lust. How many times could the orderly
stand seeing his spindly daughter appear in innocently demure, bold flirtation,
beckoning him to show her more affection, before he might lead her to the
Minotaur stabled in the dining hall, bellowing already, erect and pawing. And there the relentless pinning to the
ground or wall or table. Would she
return there on her own another night?
Limp, stark and extinguished, all veils ripped from the primal act of
her creation, the ruthless use again, the offhand use again, her helpless
impalement. Some, I know, did return on
their own. For the stab of reality, I believe.
The tangible pain rupturing drift and fog. It might have seemed, in the focus of his
peeled attention that they had been held fast, rammed back into their flesh, to
suffer it again, yes, but to live it again, and that may have been worth it.
They
brought others. The catatonic. Wheeled to him. To test him.
He could masturbate in ice water.
Did he have a limit? The ancient
ruins were led in. No limits. Snickers turned to blank awe. Disgust capitulated to wonder. They were seized, wrenched through their
repulsion to a seed of mystery that had been its origin. They brought the self-mutilating,
the starving, the grotesque, the retarded.
They watched salvation. A divine
principle that dumbfounded them. They
were witness to judgement day when the corpses are unearthed and returned to
their creator. Moving through the bottom
of nightmare was a male principle which in its absolute ignorance of soul and
in its undying hunger embraced all flesh and filth. It was some shard or
remnant of divinity, a part at least of the impulse to place a spark in
mud.
The nurses came, too, and some of the
orderlies. I found out and did not
intervene. I was to be there only two
years. Sometimes I forgot that, but for the others who would remain here as
long as the patients, the institution was continuous with their lives
outside. Or completely separate. The nurse had never married, or maybe she
had. Faith must work in both institution and home. If one could see it here for
absurd, mindless brutality, sawing of flesh against flesh, here where redemption
was most needed, how would she ever believe in it outside? Outside it need only persist, but here it
needed strength infernal as forges for gold.
She was Irish. She wore her hair in a braided bun with an
origami nurses cap pined on. He was kept
in a separate room. She opened the door
and he lifted her against the wall and her braids fell and unwound and the cap
fell to the floor. The door only opens from the outside. She would be locked in
if it should close. See them then bound
in all the banal cloddishness of the act, the magic-lantern rubbing when seen from
the hall is lugubrious, turgid, and blind. And yet: A violent act has been
delivered to her and in that expression of commanded need and forced obedience,
though the act is absurd and ungainly, the violence is undiluted necessity, a
command of nature and being. Confusing echoes are silenced.
What did the poet write: `A sudden blow:
The great wings beating still above the staggering girl.' Not perhaps in the glance caught through the
half opened doorway, the centaur wobbling against the wall, her white shoes
locked across his spine, her head thrown back, her hair fallen, his rounded
back tracing a devolution of the species into some trough of burden, into a
herd of swine jamming their porky bodies together around the slop, a clutch of
buttock in their frenzied press, a keen self-interest in those taut hamstrings
and the steep-angled ankles with their pointed hooves, and then those rounded
spines diving away from heaven, powerful and rude, and the tuneless snorts and
grunts. But, who can see in this carnage her innocent ignorance? In the
tottering pile, the staggering heap, the fermenting refuse held by the same
solid literalness, dull weight of death, the same soured light, see with her
the savage force that discards her, and loosening its grip, drops her into
light?
His knees buckling, they slide down the
wall. He coughs into the hollow of her throat, the shallow chugs of a man kneed
in the groin, and he is at it again as she worms her way along the floor, and
catches her finally like an arrow or bolt in the pitch of her motion, in the
ordained bathos of thighs parting to purchase a step, and pulls her back into a
dull iron-mongering, a sledge on anvil where she lies on her side, her leg in
mid-stride, knee held fast against her bosom in a slandered prance. Locks her in the repetitious idiocy, the
getting knocked up, the screw, the getting his rocks off, the compulsion, the
excretory bloating and release. All the
echoes of the tireless banalities of making love hover about her, the
relentless presence of herself in compromise, accommodation and dialogue, and
then she is spared. The fine ambiguity
is swallowed in alluvial mud.
She
premeditated her steps to the abyss, jaded and calculating and left with a
place for innocence only by her sadness and horror, these were hopes of a
continued freshness in her that she saw imperiled. Her capacity for renewal is
overwhelmed, he is at her, banging away, and it is then, or is it the next
time, or the next, that he stamps her with the death all the mad suffer that
witnessing had given her the necessary terror to know exile from God. She had
kept back a residue of love, which by withholding was not love. And now, this
tender gaze snuffed out and left with nothing, she has given all.
Maury, she goes home after seven in the
morning, and let us imagine house and husband and the disgruntled meeting at
eight a.m. when she walks in the door of the clap board row house in Queens
with its peaked, tar papered roof jammed in line, its five step stoop, postage
stamp backyard with a clutter of wading pool with its bilge of yellow water and
autumn leaves, rusty swing set and tricycle, and husband bleary and rheumy over
his first cup of coffee. Imagine a pile
of dishes in the sink, an air of entropy depression, fatigue, the lumpy couch
facing the TV, the narrow staircase to the upstairs bedrooms, stuffiness and
the smell of grease and mildew. And
imagine a desultory collapse into bed during an overlap in schedules, staleness
of breath in each. Imagine all this against her holocaust last night, and
consider that she will make no use of it to slog on one more day, which she
deserves, but that it is only the horror and splendor that can transfix the
thickening days and dull weather in their orbit. Only by this can she feel a
soul impaled by the celestial.
Florence reported on her visit with Lou:
"I'm so glad I went. I was dreading it. I shouldn't say it, but it was fun."
"They've had to give him his own
room. Pearl knows how to agitate for
things. They weren't about to shut up,
and the establishment gave in.
Hurray. I just hate
hospitals. And they squeezed something
out of them. I got lost. He's in a
wing. I went around in a circle looking
for his number until I asked someone because he wasn't there. I thought I'd written it wrong or they'd
misfiled him. I thought I'd gotten there
too late."
"I'd just talked to someone there,
and I thought, that's just how it is. I was a victim of death's mordant
wit. Actually, I didn't think that very
long, but it crossed my mind. I was too upset.
And I thought I might have the wrong hospital. Maybe I'd just assumed Sloan Kettering
because he worked there and I hadn't listened. But, it was just the wrong wing. I had to go down another hallway. And they were all there. It was easy to tell his room. There was a crowd outside the door. Manny, they looked like people at an
intermission. They buzzed. I expected them to be smoking. I really did.
In a hospital for cancer. But,
that's just the way it was. Not like a
hospital at all. I had to push my way in
and it was roaring inside. A nurse tried
to get in once. They need to change his
fluid bags; they treated her like a policeman or the meter reader. It was just in fun, but they hissed her. It felt historical. I thought I was part of the gay nineties or
roaring twenties. I think a lot of them
were tipsy and they shone at their best.
That generation, they're delightful drunk, so light-hearted. It felt that way. It was the atmosphere. Maybe it's not true, but it felt that way,
and there was an old man there, he was a colleague of Lou's, somebody said,
he'd been the one playing squash with Lou when he had his heart-attack. I'd have guessed that, he had ropey forearms;
he looked like a jockey. He had a bottle
with him and drank right from it. I
think this could have been an excuse. He
was delightful, a regular imp. He said
Lou should hang on until he busted the bank.
But, he was really very gentle.
He was no taller than me. He
asked me to marry him. What a party pooper
I am. I told him I was already
married. I didn't need to do that, he's
married, too. His wife was there. She wished me Godspeed. He said Lou could do the rites. Dying men have strange power. I had to promise Lou, and that would be a
death bed promise and we'd have to do it, even if it meant eloping. That's when his wife said Godspeed, and he
introduced her. My ball and chain, he
said. He should have been a truck
driver. It was so quaint. He said death vigils are always rife with
affairs. It was our size. We are both little people. He thought we should conspire. That's the way it was. And Pearl.
She looked so strong."
"She has rather stony features. Recently.
She used to be quite a tomato."
"Manny, she looked regal."
"By the by, how did old Lou
look? Was he there?"
"He's thin."
"Well, you can't be too thin or too
rich."
"He doesn't look terrible."
"Why not? He's got the perfect excuse."
"He doesn't."
"That's considerate."
"I was going to say, it's obvious
he's dying."
"And that's a virtue? The air of
serenity that envelopes those who have left the struggle."
"There is that, Manny. But, it's Lou."
"Who you never much liked. He was an enigma but you didn't think that
interesting a one. Maybe, you were
protecting me. An enigma, inside a
riddle, inside a platitude. You enjoyed
that, the iron curtain reference."
"He's withered, I'd forgotten about
the spidery wrinkles the very old have.
His skin's like a crumpled up paper bag, and he's always been dark but
his color now is ashen or like lead, and he's laughing and talking and that
should be grotesque. And it's not. He's got such spirit. I don't feel fooled by
anything. He's very thin and his eyes are huge."
"He can't metabolize his food. His organs are failing."
"It looks as if the bones of his eye
sockets would cut the skin drawn over them.
When he smiles his skin sets in wrinkles, like whipped egg whites.
That's dehydration, isn't it? Isn't that
dehydration?"
"Well, of course it could be. But it might be transubstantiation."
"Manny, I see."
"In details. Where god is.
I would imagine it's not that painful for Lou. There's a general morbidity which should take
the edge off."
"That's not all that's there."
"We've laughed at the faces we get
stuck with."
"And this is different."
"Once upon at a time when he weighed
down one end of the table with his silence, you remember, when his hair was
black and he had biceps like a laborer, for years, when he was sullen, just
vain you said. He's vain. All that sullen vitality, when he looked
Italian. Recharging his sexuality, that
was the joke. Some said it to his
face. Within earshot, anyway. Not really flirtatious: sportively. Taking up the gauntlet. I can't remember if you were one of
them. Probably not. He changed, a magpie recently, compared, but
when he had his druthers, before the heart attack and the risk of being
ignored. Silence becomes him, anew, with
this martyr's visage of his."
"He doesn't look bewildered. Why do so many old men look bewildered, I
wonder? But, he doesn't."
"There's nothing out there, Florence.
He said that. Remember? He had a preview."
"He is clear-headed."
"There is nothing to alchemize
him. Did you check his wrists and
ankles? For edema? His body is not able to flush out the toxins
anymore."
"Good for it. You exaggerate its poisons. He is talking and he doesn't seem eager to
flush out any of what he remembers. If
anything, I think he's reluctant to speak about them. They must be sweet to savor, but at the same
time, I get the feeling he is willing to because often they are owed to whoever
he's talking to."
"Florence, I think you're accusing
me."
"I'm not."
"But you are telling me exactly what
you will find acceptable. I'll try not
to disappoint you or our friends."
"I'm not. I'm saying I can see. You think I'm not allowed to take anything
from that last look, that it wouldn't be fair. Even if you believe he's earned
the mask of age, that's OK because it's comical. At the end it's only the disease and I can't
see the loving look in his eyes, it is liver failure, and I'm telling you I can
see."
"I'm just hoping, if I don't
cooperate as well. If my disposition doesn't improve. I'm hoping you won't, justifiably, because of
my apostasy, if I sour and who knows, babble, rave, I don't know. You won't, having every right, abandon…find
better things to do, or, because it’s obviously not working the way it should
when it means so much…I may crab. It happens Florence, people want the water to
be colder or their pillow puffed up or the radio off, while they're dying. It may turn out to be their last word if they're
not careful. Please take it
seriously. Not that it won't be a chore,
but hear timbre even if I do it poorly."
"I never suggested you go there as a
lesson. I'm not being negligent. I'm not
considering it; I can't, so I forget. I
wish you could, because it’s so unfair and I don't believe it could happen. It
won't and you shouldn't have to worry about it. Why should YOU? It's so obviously a mistake. It's such a
dirty trick. It just doesn't fit. It doesn't deserve our attention."
"Cast a cold eye, on life, on
death." So the poet finished. A somber verdict. Maybe a better epitaph than a motto. Where would we finish? Our patients would probably agree with a cold
eye towards death, but I think they all wish a warmer one for life. Even if the objective eye of the marksman
would serve them well, they would want us to promise a cozier reviewing and
happier result. After all, they aren't
through with it yet. At least, that's
not what they're expecting. And I think
we have to keep that distinction.
Hopefully, they will finish therapy before they finish life, and with
re-viewing might come some revival. When
their eyes are scaled, which we have promised them, do they have reason to hope
they might regain first sight? They wish
it. If they were to confirm it, wouldn't
our work be done? Or, are we all too
suspicious of it, of any of the language of faith? I think we are, but then where would we leave
them, and where are we as a profession?
What do we have? What are we left
with? We know what our patients
wish. The story is always the same. They want to regain the lost object of love. So wrote Freud, and maybe that is why they
choose us over the alternatives that are offered, because we admit the primacy
of love to the psyche. We admit poem and
epic and myth, and though Freud can only promise them frustration at
recapturing that first past, it is likely that they come to us in hopes of
having the in-sight of lovers, thinking of us as blacksmiths of Eros, with the
charisma of smiths who work in fire, they hope for that in themselves, a core
of glowing, even blazing life. I
think. And that they will finish with
the first sight of lovers which are all harmonies on soul, which they have
witnessed, a love at first sight, and believe has been buried in them.
Medical doctors have had to beat a
retreat. They have been forced into
collaboration with their patients. They
have had to accept the fuzzier title of the healing "arts". They thought they had left all that hocus pocus
behind. Bad as it’s gotten for them, it
is either not so bad that they will stop ridiculing us for our lack of hard
proof and statistics, or it is so bad they need a whipping boy more than
ever.
Having defeated pathogens but not death,
they are left with mystery. The tangles
become deeper and deeper and for the time being, they are reading glyphs and
runes and reporting remissions that have as little explanation as magic. Like us, what is the matter has become
entwined with the heart of the matter.
They have been forced into dialogue and interpretation. The deeper they get, the more psychosomatic
this stuff of life reveals itself. They
find in gland and organ, old insults, family curses. They deny literature but have been forced to
use its vocabulary or be left stuttering.
The deeper they go, though they won't admit it, the more the body seems
the stuff of dreams, and stuffed with them, the dreams of generations back to
the bog, and again, though they won't admit it or see it as a temporary
condition, they find Freud's flags of discovery already posted on this dark
geography.
I think we will show our maturity if we
don't gloat when we meet them at the nexus of the roads leading towards death
when they ask us for a match. They're
planning to side step us by perfecting the machine, and will have the last
laugh. If still capable or possible or
necessary.
Meanwhile, as before, we work the
graveyard shift, digging in the hours of nightmare.
We are rarely consulted by Visigoths. Our practice is limited to those who rue. Blessed are those upon whom the shadow of
hesitation has never fallen. To them has
gone the race for the swift and the battle for the strong. Our patients are not among them, and their
dreams are populated with aborted acts and longings. What attics and rumpus rooms and warrens they
find themselves in, and how rarely and with what innocent fervor they relate
their adventurers in lost paradises:
Golden cities, glinting mountain peaks, valleys watered by cascades.
I am reminded of certain mornings. A fog lifting. Colors and shapes emerge new and dewy as
fruit rubbed free of its glaucous shawl.
Freud writes of the birth dream. Those of us who have experienced this dream
find ourselves less bashful in the face of our ridiculers than we might be
otherwise because Freud so perfectly described and predicts this shore on the
Terra Incognito of dreams.
The dreamer, bodiless, without the ordure
of a body but becalmed in a somatic weariness or serenity, finds himself on a
stony beach. The sea is calm, a ripple
or two paws the pebbly shore. A hush on
the waters, pressing down, flattening them.
And an enormous sun setting on the nearby horizon, a globe dim enough to
look at, all its fires banked, a rust red, already half immersed in the flat
sheet of the sea. No vegetation. The rocks are like molars or
knucklebones. The feeling is unmistakable. The last day of a world already dead, the
dreamer left on this empty shore.
Why should Freud have concluded this was a
birth dream when the stage seems set for death?
Because, this is not a dream like other dreams, this is the memory of
being born from a consciousness which was still innocent of words. Look at it to know the substance dreams are made
of, the original matter. Freud writes of
the birth trauma. Birth sets the stage
for the drama of life that will, through metamorphosis, unfold from it,
mutating in variation and fugue from this theme, the expulsion from the womb,
that sea of unstinting gratification.
Embryology continues into metaphor, the mind does not break from the
expanding metamorphosis that created the body.
Expulsion, rejection, the core.
All the players in the exile are
present. Light, water, a darkening
landscape which in its narrowing horizons measures the birth canal, and
death. Because at this entrance by light
into light, Thanatos dies, the immeasurable peace, the oceanic oneness. Freud did not believe one could find in this
dream, consciousness' awareness of its own mortality. All it could know then, was pain, cold, and
rupture.
When do we terminate therapy? We have an answer. We have an example. We have a moonstone. A relic.
A fossil. We have the birth dream
in which the elements have already condensed to the verge of becoming reality,
heavy as the real, they have already dropped out of dreams into memory. We encounter this dream in the terrain of
memory, it is the substrata to our memories, the foundation for the house of
awakening. We do not find nostalgia
there, no sentiment at all. Other dreams
steep in a rhetoric of wish fulfillment, mirrors and velvets and a fecundity of
becoming and atonements. Here, this
labor appears over, there is no strength left to move this bedrock, and the
dreamer, who feels awakened, who feels the residue of the sleep he has just
come out of, accepts. Able to look
directly at the setting sun, arid of tears, he watches it leave the world.
When dreams precipitate from the fog and
land solid around us. When it is the
world we dream without surcease or need for it and the constellations pass un-refracted
across the vault of our closed eyes.
They will resolve themselves and dreams will no longer speak in
parables. Artists! Meaning to abuse us. When we enter the dawn completely
transparent, without hope for another separating us from it, the promise is
fulfilled. As it has always been: Hope
itself, left as an organic element and compounded in the ground.
When beauty is joined to truth and to the
damned. We lived through death
once. We have been tempered. Ready.
Cast a cold eye, on life, on death.
It was typical Manny. It would take reworking. He would have to insulate it with drier
material, dole it out in separated paragraphs, trim the repetitions, but it had
the flattering cultural allusions they expected of him. He was still the best spokesman for
psychiatry as a vocation. No one had yet
appeared in the new generations who was comfortable with the plush canon of the
field. There was a tendency to back away
from Freud, as if he had been the wooly patriarch of a cult which could only be
fully respectable if it ignored his fevered visions. He was from an era when science was still the
province of dilettantes and philosophers.
Statistics with its debunking of free will and the individual in favor
of populations and hydrodynamics was years away. Physicists were studying radiance. The Association still needed the old
alchemists to rouse the tent during these annual revivals. Manny left the study with a light step.
He sat down at the piano in the living
room and began combing songs out of the keys.
He was at his Ouija board. Notes
led into songs, his fingers skipped after them, or stumbled until they warmed
up, but stumbled towards elation. He was
in "I could have danced all night", he was where she could have
spread her wings when he noticed Florence listening in the entry hall. When she saw he had noticed her she walked in
and sat on the arm of an easy chair. She
was in one of her silk nightgowns, this one lilac.
He began playing "Bewitched, Bothered
and Bewildered".
"What do you have there?" he
asked.
"A book."
"It looked like you were hiding
it."
"I was being demure. I didn't want to interrupt."
"I didn't wake you up?"
"I was dozing. Go on."
"I was just about done."
"I think you were just beginning to
roll. You've got it by the horns, don't
you?"
"No, I've been gored."
"No, you've cracked the case. Then you come out and play. You won't admit you wrote something
wonderful? Play me a song."
"What's the book?"
"It's a book."
"Those are the ones they throw at
you. Which one is this?"
"What makes you think you'd be
interested?"
"Because it wasn't good enough to
keep it face down, now you're sitting on it."
"I am too, isn't that funny?"
She pushed in beside him on the piano
stool. The book slid onto the chair and
he still could not see it.
"What if I made a request? Would you refuse me just in spite?"
"No, there'd be better reasons than
that."
"I know you've been a genius
tonight. You can shine in front of
me. You do anyway. And I'm subtle enough to know how
uncomfortable it is to be discovered basking in gifts. I can testify that no one has worn his
remarkableness more gracefully than you.
You've never had to resort to faking hostility, as other men do, to
cover their satisfaction. They don't
deserve the crown of thorns."
"It was O.K."
"Just O.K?"
"O.K."
"He never swears a great big
`great'. Then give three cheers and one
cheer more.."
"But, the timing is terrible. Corrosive."
"Scarlet Ribbons. Manny, you did wake me up. Please.
`As I peeked in to say good night..'"
"Florence."
"There's only one way to stop
me."
Otherwise she would sing on in her hoarse,
tuneless whisper, her big eyes wide open, laboring diligently, like a child in
a choir, all mugging and pantomimed vowels.
So, he sang, she imposing on a song he considered Andrea's, but still
his voice was sweet, and little above a whisper itself when he saw "his
child in prayer"; a man leaning into his seventies, father of a daughter
with luxurious locks, singing "and for me, Scarlet Ribbons, for my
hair", while his kidneys were sinking in mire, carrying that prayer
through the night of shuttered shops with a virginal clarity, identifying with
the dispensation of answered prayers which is saved for the innocent.
A few nights later Manny found the book on
his bedside table. He had an appointment
the next day with his nephrologist. The book was "Kidney Health: The Tao
of Herbs" by Christopher Hilton.
Christopher Hilton was a sinologist who
had spent years in Asia, and in a snap shot on the back flap with the snowy
Himalayas behind him, offered his own
lanky frame and his lantern jawed face with outdoor man's squint wrinkles as an
example of renal success. The brief
biography on the back flap beneath the adventurer's photo went on to say he had
also written "Summit, Apex and Paragon" and lived with his wife and
son and daughter in Oxford-on-Thames, which conjured a cottage and punts, and
confirmed for Manny that the man was a fraud.
Sinologist-Daoist Hilton had summated
Everest, of course, a feat precipitating a cascade of spin off products he
could plug in the forward Manny now skimmed:
Two books and cassette tapes. They were records of struggle and
obstacles surmounted and victory and epiphany, he promised. However, for the sake of brevity and context,
he had not related in them that the summit gained with its epiphany had
followed kidney failure and a long hike back to health, harder and in its way
more spiritually testing than Everest, an omission which was to be amended in
the following pages.
Chapter I: Folly. The book followed the big selling blueprint
of autobiographical cook books. Hilton
had apparently studied sales charts before plotting his text. The reader was to be treated to Christopher's
story while learning the diet and prescriptions that would resurrect him. Here was his time of binge. Sin and excess, proudly confessed. Manny had heard worse. Chris seemed taxed to prove his thesis. He had drunk and fornicated but hardly in
Herculean scale. Well, here now, the day
he leapfrogged from the bed of one sister to another. Red heads, spangled in freckles. Red heads, Manny gathered, were the Negroes
of Britain, always on fire. Quenching
two in a single day was not a thing to go unmentioned. One after the other they were left sleeping
the sleep of the dead. Here it was, they
were Irish. And then, without actually
being said, but hinted at. For
idolaters, Catholics, the author, naked, cut a figure worth dying for, as these
two Celts in turn fell into a sleep with no expectation or desire to
awaken.
Skip to Chapter III for Despond: Blood in the pilgrim's urine. Desultory wanderings, disappointed search for
meaning, and now death in a hovel. And
not to be excused from diarrhea just because his sentence has been
pronounced. He shuffles to the outhouse,
too sick to hide his nakedness, squats over the hole and in that position of
pummeled submission, on the verge of being driven like a spike clear down the hole,
he lets go of his past life. He is
squatting in a suffusion of starlight filtering through the gapes in the boards
overhead, and he has been left only this clear picture-the light is like the
nitrate of black and white photos, he is in the documentary of his
condition-the clear picture of what he is, a picture which is, remarkably, free
of and liberated from "who".
He is nameless and erased. He can
see his knobby knees and feel the chill on his naked butt, and right there, at
the nadir, he touches the Dao and the process of refilling him with universal
agelessness begins, the process which effects his cure.
Manny sighs and looks at Florence who has
left this Giddeon manual on his bed table, but she is watching "Antiques
Corral", her favorite show, and does not notice.
Assayers relate the history and assign a
value to objects brought to these conventions, as if to a Lourde's for objects,
by petitioners in search of miracles.
A man is laying a sabre on the green felt
table. He is dressed in plaid golf pants
and yellow cardigan and Manny guesses he has bad teeth by the way he is holding
his lips. Probably not usually a
problem, but now he is on TV, which was not his idea, his wife is still pushing
him forward as she must have out the door, and he is obviously embarrassed to
be bothering any one about the sword, which he plunks down on the table with
his head averted, nodding exasperated at his wife. The assayer, who is of the gigolo school, a
defrocked soap opera Casanova, starts back from the table as if the sabre has
been pulled white hot from the forge.
"Where'd you get this?"
"Well, Ah didn't." He has a Southern drawl, a pot belly, and is
afflicted, like all Southerners with an inability to choose the proper program
for his hair.
"It's his granddaddy's", his
wife says.
"We don't know that."
"It was his granddaddy's."
"Well, maybe it was. He amassed some sing-u-lah objects. He was
gonna do somethin with old frigidares.
He hauled 'im back from the dump. Ah had a time returning 'im. They was fifteen of 'im."
"None of that is the truth."
"Each separate word. He loved frigidares from the get go."
"He was a county commissioner. You're goin' on about his old age. He was a trusted officer and a shrewd judge
of character, in most people's memory."
"But, it's probably his sword."
"Ah'm afraid so. Mercifully, he was called before he had much
chance for the AC's. Ah found this squirreled
away in the barn, years back, and since have employed it for yard work, as Ah
have never figured another use for it."
The assessor raised the sabre from the
table on the edges of his two hands, as if to give the king his scepter. He looked up and down the blade. He examined the hilt and handle. He returned it to the table.
"The blade is free of nicks. And the pommel is still wrapped in the
original leather. Fortunately, you
didn't use it to chop cord wood, although, this sabre may well have withstood
the abuse. This is a Davis Sabre. It was forged at the Conroy Foundry in
Birmingham in 1862. The mark of the
maker is still distinct on the forte of the blade. Only five were made, and they were given by
Jefferson Davis himself to five officers of the Confederacy who had
distinguished themselves by valor. Three
of those officers died in Pickett's charge at Gettysburg, and the swords were
removed from the field of battle under cover of darkness. They were not scavenged because none of them
has ever appeared in market. One is
displayed in Charleston, South Carolina in the Museum of the Confederate
Jerusalem. Until this day, the others
have remained missing. Estimated value:
Sixty-five thousand dollars. However,
you could no more auction this artifact than the Holy Grail. It is priceless."
"Manny it's priceless. That's never happened. Look.
Look. It's priceless." Florence wasn't the only one awestruck. The hapless weed hacker was catatonic. Only his wife, in pink petal pushers was able
to act before the camera cut away to another group hoping for a jackpot. She could be heard saying as she pushed into
the table, "He loved cold. He put
AC in the courthouse, before that..."
On the next table a violin was laying and
two women who must have been a few years older than Manny were gazing at it as
if it were the Infant in the creche.
There was a resemblance in them deeper than old age. They turned out to be sisters, but the
resemblance went deeper than that. One
had died her hair a septic blond, wore it teased in a bouffant, she was the
taller of the two, flabby and gassy, while the other one, who looked pinched
and dry, wore black clothes, widow-like or almost French left bank, her hair,
likely a wig, with long bangs, coal black, pressed down on her head like a
helmet. They lived together; Manny
thought it was obvious. They resembled
each other like an old couple, nothing to do with features, but the identical
warping by a small culture. They had
grown together constantly in the presence of the other.
"It's always been in the
family", the blond was saying. "Our father's father brought it with
him from Italy."
"Your grandfather." The assessor established. He was a portly man, vest stretched over his
pot belly, in a coat with suede scuffers at the elbows, and he had a short,
thick beard which covered his cheeks almost to his eyes. It seemed that some eccentricity was required
of the assessors. It proved erudition or
preoccupation or a stalwart obsolescence.
"Yes, from Cappalone. Someone in our family played it. Our great grandfather, we think."
"Violinists have tragic lives. We were not told who. We're Catholics. I believe he took his own life" the dark
haired one said.
"We were never told that."
"I think that's why. A skeleton in the closet. We were not encouraged to sing. Marlene had a talent, but it was thought best
to let sleeping dogs lie. We were
protected from being swept into tragedy.
It was in the family. I may have
been able to play the violin. I've
always thought so, I believe father thought so too. It made him especially attentive about
me. Marlene was told to keep her eye on
me."
"Cappolene is in the mountains. There were more goats than people. They lived in the houses with the families. Sometimes you would look in a window and all
you would see were goats and they would answer the door if you
knocked."
"Fine spot to leave", said the
assessor.
"It's a Stradivarious. He made it for his daughter. Can you see here, father showed this to us,
inside. See? Fabriola Genoa. He engraved it to her. And then father gave it to us, when he knew
he was dying. He pointed to the
dedication again, like he had when we were little. `For his daughter, for my daughters', he
said. We don't want to sell it but we
have to", said the blond.
The assessor who had the violin in his
hands since being directed to the dedication:
"Fabriola Genoa. Beautiful name. I'm sure it was his favorite daughter. Unfortunately, no record of her
survives. And more unfortunate, this is
not a dedication, it's the maker's mark, `made, fabricated, in Genoa', in
Italian. We're in the right nation, but not the right century. It was made about two hundred years after
Stradavarious died, these wood staples you can see inside were not available in
his time. It's not a bad instrument, a
decent imitation of a Stradivarious as imagined by a skilled craftsman who
probably never had occasion to study the real thing. You've kept it in exquisite condition, I
assume it rarely was taken from its case.
One would not risk damaging a Stradivarious every day of the week. I would suggest saving it as a precious
memento from your father. Selling it
would fetch you, perhaps, five thousand dollars, while no amount could be set
on the memories. The bow could be sold
separately. In any event, don't use it
to whisk eggs or beat carpets. Few
people are aware of it, but the bow is often worth more than the instrument, as
in this instance, where it would fetch no less than eight thousand dollars. It is a piece of masterful
craftsmanship."
"Murdered", the dark haired one
could be heard saying under her breath.
"Oh, God they're destroyed",
exclaimed Florence. The small dark one
who had recognized the spell but believed in its black magic, was shaking and
as the camera cut to the next supplicants, it looked as if she might just have
gone staring mad.
"Thank you for the book. Altitude and herbal colonics, I think that's
the conclusion."
"I just skimmed it. He seemed sincere. He looks believable."
"Do I seem constipated to you?"
"I didn't actually read it. He looks smart and fit. He's thin like you."
"I'm not constipated, Florence. I
don't think this Christopher Hilton moves his bowels any more regularly than I,
and I don't believe for a minute he has successfully evacuated his mind of
Western pollutants using Buddhist enemas.
He strikes me as still being full of himself."
"I should have read it through. But, he did get cured, didn't he?"
"He probably had hepatitis. Or got lucky.
It happens. He's a
schnorer."
"Edith gave it to me. When we were at
Lou's."
"At Lou's, dying of kidney failure. She'll
not be upstaged."
"She's trying to be helpful."
"She has been implying for years that
marriage is castrating. She's fashioned
herself a wild woman since her divorce.
She eggs you on, Florence, and you don't even notice. She's always making fun of us. And you enjoy it."
"She's spirited. I don't take her seriously. But she has fabulous energy. She didn't just give me this book. She was reading passages. You know how she is, she can be so
diligent."
"Sarcastic. She can be so sarcastic. While Lou listened."
"I think he was dozing."
"His last few hours and he's got to
spend them dozing to cope with her."
"She wasn't reading to him. She was
reading to me. She didn't get to any parts about constipation."
"I'm surprised."
"She read about mountaineering. It's inspiring. I thought it appropriate. She has infectious high spirits. She gave us all a boost."
"Florence, make me a promise."
"Anything, darling. Always."
"If this cockamamie book doesn't do
the trick and I end up with Lou, you will not invite Edith to attend my swan
song. And furthermore, you will not
disclose to her where I am buried. I
don't want to hear her prancing hooves on my grave."
His
doctor had a new technician. A
Russian. Manny liked her gruel-thick,
husky voice. She was in her fifties and scaffold gaunt, with square shoulders
and prominent bones in her wrists. She
took his blood pressure and had him lie down when she took his blood. He could not get used to the cold-hot prick
of the needle no matter how many times he went through the procedure, which at
once every three months was adding up.
It summoned a near/far away presence in his body. He overheard sedition in these hinterlands, a
bitter murmur of rebellion or truculent gossip.
As if his attention, awakened by this pinch, was resented in the rural
economies of his body. There was a
drowsiness off there or an affinity for neglect. The entropy which was descending was as
welcomed as an evening ending labor.
The blood was dark, the color of berry
preserves. She took two vials. The
technician was efficient and the solid strength of her large hands was
reassuring, but she was a gothic figure.
His doctor had a harem of technicians.
He wondered what had happened to the ones preceding this one, maybe they
worked different days. He remembered
Filipinos, most of them plumb and sociable, although he remembered one who was
practically a midget. The touch of her
tiny, boneless hand had seemed illicit.
She looked like a she anticipated abuse.
He had once been naked in front of her, and she seemed uncomfortable, as
if she had not seen a naked man before.
He thought he could see a virgin's embarrassment. This Russian would be
difficult to affect. Her hair was a
little unkempt, and she did not seem capable of neatness. Her clothes did not hang properly on her, he
spotted a grey smudge of brushed off cigarette ash on her smock, but more than
that, neatness seemed too compact for her.
She did not look de-exed, it only seemed that sex with her would entail
disappointment, that it would be a disillusioning. This was not completely unattractive, not in
a younger woman anyway, but it was not the material for an affair. It would not be like marriage, she seemed too
gravid to quibble, but it would have a marriage's realism. Manny remembered that his doctor's wife was
"very" pregnant. She was due
in October, if he remembered correctly.
Maybe she had insisted on staffing her husband's office with women who
would peel the wandering eye, who if they could not couple sex to the travesty
of procreation, would at least pluck it of festival.
Manny had not had any hope from the time
his internist had sent him to this specialist, but that is the same as saying
he had nothing but hope, the kind one is forced back on when common sense tells
you it is all you have left. This hope
is left to the slyest, slinkiest, skulkiest, schemingist part of the mind, a
roommate to jealously. This con man had
presented him with a plan for survival.
The heart of the plan was that he was taking care of the empty times; he
was accumulating them in a buttress against the event. Three a.m. which Manny frequently woke into
to feel the sand running out of the hour glass, was given to this character on
a commission basis: Each empty hour became more time since he had last seen the
doctor, a brick of time between them. It refuted his diagnosis, made it fade in
the distance. All these hours were
Manny's hours, out of the doctor's hands.
They were not under the auspicious of his diagnosis, they had not
escaped it, but they built a case against it, accumulated a counter reality
that was a jumble of everyday repetitions, the less noteworthy the better. It was like piling furniture against the door
to keep out an intruder. Of course,
Manny could not really subscribe to this, it was pretty low rent. But he couldn't not, either. For example:
Normal gas pains of age. His first
reaction, his system was breaking down. These were the stirrings of the avalanche. Fear, estrangement, despair. When in the normal course of time the bubble
had passed, Manny was not just relieved, he did not just break even. The skulker earned his commission. Manny had defeated another sortie from his
failing kidneys. It was not enough that
he was not yet sick, that this had just been gas. No, he was better, stronger
than before. His immune system had
exercised itself beating back these whispers of kidney failure and in so doing
had gained so much muscle that from now on he could consider himself
cured. Any future attempt would be even
more thoroughly routed. He had bought himself more life time than he was due
thanks to this ordeal under fire.
So, at the follow up visit when his doctor
used such terms as "slipping", "sliding", Manny found
himself stunned again though he had expected it as inevitable. In fact, the passing of wind had not worked
any change on his inner physique, even though each puff was working an isometric
toning against the diagnosis.
"Not much, but a little
slipping. We knew the course things were
going, but we were hoping for this snag.
It's still there, but, a little sliding has happened. We should now do more tests next month. Keep a closer watch."
"More tests?"
"Same tests. More frequent. If something should happen, we don't want it
to go on too long before we know it."
"A month is pretty standard? We've been at three months. Are you plotting
the change? Could you just as well say
two months?"
"You're not in free fall, we could
probably get away with two months. But, I wouldn't want to wait two months, not
until we can establish that this is more of the steady thing we've been seeing.”
“Do you do transplants on seventy year
olds?"
"We're not Canada here. Aren't you glad we don't have a national
health plan? But, you don't need it, not
yet."
"But, you do it?"
"We could, theoretically. I don't suppose we'd be too popular, but
there's a waiting list. It's about four years long and you're not on it
yet. So, if next month we found, another
slip? The answer is practically no.
You'd be seventy-four. I could never get you a kidney. Unless, you went overseas. There's a black market in kidneys. Poor people sell them. It's not back alley, real surgeons. None of us do it, but you always hear of
someone, somewhere who will. Naturally,
your insurance won't pay for it. Or,
someone in your family can donate a kidney to you. Lots of psychology in that. You'd be right at home. And the insurance pays, and you don't have to
fly somewhere and trust a doctor you've never met and learned to love, like me.
And a kidney from a living doner lasts twice as long."
"The prognosis would be better if we
didn't wait for actual failure, wouldn't it?"
"Sure. You want I should ask around? A lot of this happens in Turkey. Or, Iraq.
Maybe, I can get you a kidney and a rug.
A real beauty: the rug. You want
I should put the word out on the street?"
"God, no."
"It's quite a business. Prisoners in China, chop 'im up like a stolen
car. A dirty business. A cess pool, you'll pardon the pun. Gotta get your hands dirty. Up to your elbows. To your armpits, and you're so close your
eyebrows get singed. Nobody loves
us. I imagine it is difficult matching a
donner in a small family pool."
"Why would anyone suppose that? I'll tell you why. People think the match is made in heaven
because that's what we tell them and how blood is thicker than water, but it's
as easy as matching blood types with the immune suppressers we have. Wham bang.
You convince 'im, we can do it.
But, they got to volunteer. This
ain't China, god damn it."
Manny is in his study again. He has his headset on. He has pushed back the heavy drapes and
stands at the window looking across the avenue to the apartment tower on the
other side. Through some optical trick,
the building seems much closer than it would if he were at street level. At
this height the buildings do not loom, there is no sense of the imposing weight
pressing on their foundations, and at night, they seem divested of stone. The avenue is narrow below him, and it seems
he could look into any window and see faces in detail. Looking into lit windows is always poignant,
this piling up of the stolen glimpse tends to dilute the melancholy, and the
city is softened. Under the influence of night and altitude he could imagine it
as a place where a soft core of human existence, the romantic and familial, the
quaint, has gathered and built aeries for itself.
"In the beginning, the insane and
retarded were warehoused together. We
are medical doctors and therefore qualified to treat what were after all,
physical complaints. There was a logic
in consigning the retarded to our care.
We could have been, in some cases, more effective with them than with
the mentally ill. We could cure neither,
but at least some times, in different hands, they could have received care and
comfort and would have been simple minded enough to accept it and be relieved,
even happy. I have seen it, someone
beaming with happiness in those subterranean halls.
Her
name was Clara. She had what is now known as Down syndrome, back then she was a
Mongoloid idiot. She told me her name. Poor Clara, it meant you were not less
than five when you were abandoned with us.
You remembered your family, and fortunately for them, only in your
stupid, kind way. You could not remember
the alienation of affection, and the beatings, you never understood them, they
were out of exasperation and because you were stubborn, placidly stubborn, but
adamantine. Because you could not understand why you were kicked you never felt
betrayed or unloved by your parents and therefore never were hurt as abused
children usually are. You never even
learned to flinch. I brought you candy bars. Like a farm animal, when you saw
me coming you rolled over to greet me and nudge my pockets for the
chocolate. You were fourteen when I met
you and sixteen when I left, and in full bloom.
Years could only encrust you. I have never known a happier creature.
Children may at one year, two years, three years, experience the same universal
happiness as you, but it is lost in a minute, while for you it was your
essential being.
I never met your parents. I believe they
stopped visiting when you entered puberty and gloriously refuted the stinginess
of their lives. You were built like a snowman, and perhaps the last load of
dresses for you came at your parents' final visit, or it was a laundress who
brought you hand-me-downs, but you outgrew all the dresses you wore. Yet, you
were always in dresses, and someone would put berets in your hair. The outfits
were childish, perhaps in sympathy to your retardation or your toddling gait. There
was no proper way to dress you. Clothes refracted oddly on you, years slipped
and clumped. Even so, you were
beautiful.
I
ran to you every day during my two year incarceration as a resident in
psychiatry. I remember how you
stood. It was bold and forthright, even
pleased with yourself, but that self was so lacking in reflection, so
simplified, so embryonic, that this pleasure seemed saintly. You had that mule-headed, opiated aura
painted on the face of Saint Sebastian pin-cushioned with arrows. The
incongruous unawareness and the immunity to anguish which shows on his face
amidst wretched suffering also glowed on you.
I know you had a lover. I know who he was, and I know he meant to
take advantage of you. He was one of the
orderlies. I know he was surprised. You had vanilla skin, your hair was wavy and
bronze and your tongue seemed constantly to be poking around behind your plump
cheeks or licking your lips, and you were always hungry. It's easy to know what he thought, your
appetite, your inability to tell a story, your round legs in the too short
dresses. I touched you every day. I patted your arm coming out of the little
puffy sleeves, I petted you. Your skin
was baby soft. I touched you for
reassurance after the tortures. Like
Saint Sebastian you did not respond to the arrows; you were unaware of the
cruelty going on around you, and you were oblivious to my touch. You were like a great breast.
He would have been surprised by the
compliance in his hand which he could never grasp. Maybe he rewarded her with candy. She had a sweet tooth. Either she would have denied him everything
or nothing. She denied him nothing, but
it could have gone the other way. Did
she coo or might she have grunted? And
drooled of course, she often drooled, although not in pearly gobs, but a film
often covered her chin. He might have
given up waiting for another coo. She
sometimes cooed over a candy bar, but she was as likely to snort He may have given up waiting for a sign of
tender feeling. Perfected woman flesh. Soft, available, without skepticism. He
comes with the idea of a perfect melting together of separates, and instead,
his presence absorbed by pleasure no greater than from a piece of fudge, this
act lies fast, taken away to a voiceless end.
Or, maybe, he found what he wanted: The
text of himself printed on the blank white sheet, an enumeration of his sin and
is assured by the hopelessness of finding redemption.
I extrapolated this, Clara, from the
flowers brought to you that remained by your bed until they had withered. And
then another bouquet, fresh, renewed.
Deduced he had found original sin-innocence violated-and was festooning
the altar where he and all that was without sufficient consequence for expiation
by love, had discovered the faith that springs from futility and its finality.
Idiots need to be fed and washed, but the
primary trust on their guardians is to keep them from breeding. Them. But what
has emerged from this love-making of ours?
Who does not know that the most solicitous touch is tainted with sadism
and that the surrender at orgasm falls short of the one at death, and yet we
would cleave to that last fully feared moment in our hands, to escape death and
its dreams. What self is hoarded in love?
The form squeezes out the poem. Grotesque
and familiar forms slouch out from our coupling: the village idiot, the
phylogeny of our ancestors, brute, bloody, wailing and tuneless, mud and gore-splashed. And the act of love? Affirmation and cure? Who can title it? Brute awe is the most we can hope, but still,
fallen away purged, it may leave the imprint of brute at the last, mistaking
us, or knowing us.
You
and you, all of you, what expression forever recorded in these huddled exiles
here in the asylum was on your face when deep in her, she turned her face to
you and her eyes were opened and yes, perhaps, they were opened to you alone,
and a tenderness that lies below and is inextinguishable, maybe it too was
revealed in the abandoned face, a form of tenderness given to wonder and to
love. Or, was she still recognizable
from the last time she sneered and you would not believe this tenderness with
less than rage because she would recover from you, and this carried forth to
the world in a drooling idiot?
Not a thousand beautiful children can
prove away the one malformation that haunts us: Our death, our birth, the
darkness that whelped us and will eat us.
But, our children are haunted from the
beginning or we would not know them and would not be tender to them. We would
run from them as judgements which mock the deformity justice has worked on us
during our lives. Thank the nightmares
that make their love real so theirs’ will not be the idiot grace of clean
appetite and healthy digestion, but that they will cling for comfort, or we
would perish and be thankful.
He took off his headset and immediately
telephoned his daughter, Andrea, on the other side of the continent. It would be nearly nine in Portland.
Andrea picked up on the third ring,
sounding slightly breathless, single mother hooking the phone on the run. She had a high speaking voice, soft edged and
never shrill. It was a pleasure to hold it directly to his ear where its many
layers could be heard. Because it was
high it had not changed that much from childhood, and he could remember how
sage and insightful she had sounded as a little girl with her then precocious
intonations. She had never sounded much
like either he or Florence; she could imitate Florence perfectly for satire but
must have always been too aware of that voice’s pleading note to let it form
her own.
"Andrea, its daddy."
"Oh, that's good. I was going to call but it got too
late."
"We're still puttering along at this
hour."
"I know, but I think after eleven or
so phones ringing are alarming, and then you have to justify the call. It's simpler to wait. But this is great. Jessica and I are planning on coming out for
a visit."
"I hope it's soon."
"Next month. The Institute is having its session in
Connecticut. Jessica would stay with
you. She wants to visit Franklin's
family, too. It's for four days, then
I'd be back and we could all visit."
"We'd love it."
"I don't want to leave her with
Franklin."
"We want to see her."
"She's kind of a stoic. It's not
dramatic. She's not a martyr. There must be something about me she thinks
she has to endure. But she's very
easy. Well, she isn't. She digs her heels in, but it always seems
very reasonable. Things aren't really
negotiable, but she accepts cooperation without conceding you're right."
"We love seeing her."
"Gird yourself to be observed. She is studying adults. With curiosity more than awe. It's grandpa.
You don't need me to straighten up.
Do you want to say `hello'?"
The line seemed to go dead and then he
realized he was hearing Jessica breathing on the other end. Jessica, at nine, was not yet ready to
believe conversations on the telephone were really happening. And Manny had the
common adult difficulty of finding something to say to a child and then hearing
how fatuous he sounded pretending to be interested. He would forget what insignificant tale had
been coaxed out of them the last time they spoke, and his forgetfulness was a
thing they always found strange and necessary to sigh over. The exchanges were fragmented, he had little
idea at the end what story they had composed, but children had a vise grip on
detail, and sometimes it seemed compassion for his awkwardness that made them
ask about his briar pipe or yellow muffler, though he could not remember why he
had included such information when he had last talked to them. Apparently, to his grandchild he was this
collection of objects and ailments, maybe the sound of `stiff joints' sounded
funny to her and she remembered it. Florence was famous for a bunion she had
been silly enough to mention within her earshot, erasing anything else about
her she might have thought indelible, like generosity or love or status as Queen
Mother.
"Hello, Jessica. It's grandpa."
"Hello", she said in her
whispery voice.
"Is it your bed time?" Of course, that was a bogey man to never
raise with children, leave that to their parents. He was not trying to give her the bum's rush,
he was actually trying for immediacy, an expression of how keyed in he was to
her daily life, but no child could take it that way, although all of them do
think any adult has the right to invoke bedtime as part of their investiture as
adults.
"No.
Not exactly." Her voice was
whispery but there was a claw in it, a nascent hoarseness which might enlarge
with her. She might grow into a deep
voice, he had no way of knowing the course of maturation in Negroes. If she had not been a mulatto he would have
guessed she might become strident, there was more than a slight suggestion of
skepticism in that dry snag, or maybe it was objectivity. Whatever it was, if it should get bigger, it
would not be easy to roll it out of the way for patter. Unless this was the nut that grew into that
stately resonance and black earthen voice it seemed every other Black woman
had.
"My bedtime is eight thirty. And it's reading time, anyway."
"It is? And what are you reading."
"We are re-reading the Little House
series. I'm reading them to mommy this
time. She read them when she was a
little girl. She once read them to me."
He was always touched when a child
recognized they were a little girl or boy.
He must exaggerate how extensive their grasp of their condition was,
still he had never known a child to say it less than gravely, and it seemed for
that moment they did understand and that when they said it they were standing
outside themselves and part of this graveness which was always accompanied by a
statement of fact or rights or liabilities, was the premonition that this state
was transient.
"You like them?"
"Yes, hugely. It's about a family, you know. Our house is small, too. I don't think I'll grow tired of them. We get storms, too. We stand near the grate. If we wear clogs we can stand right on
it. It's very cozy."
"Jessica I want to talk to
grandpa. I'll be in soon" Andrea
said in the background. Without good
bye, Jessica was gone and Andrea was back on the phone.
"It's her straighten up time. She has a lot of soft toys and before I come
in for reading she has to arrange them for the night. She insists on arranging everything in her
room. I can't de-code her taxonomy, but
it's not an answer to my nagging. I
don't think. Certain of her toys have
friendships with certain others and they have to be together or they would be
too scared to sleep. Jessica has a very
strict order for making cozy."
Manny regretted Jessica's abrupt
departure. He was fond of the hyper
articulateness which she had adopted to include her life in cozier stories than
her own more precarious one with a single mother and week-end father. It was when he saw her that his affection flagged.
Children seem to tack from parent to parent as they grow and he when he saw
Franklin in her jaw, he had to struggle to hide his impatience with her. Andrea
had to slip away as she grew up, but it had gone farther than he had been
prepared for, and that distance was ratified by Franklin’s child, obscuring and
finally-time would tell-denying him a spiritual identity with her and admitting
an intruder whose characteristics of sloth and appetite were the very opposite
of him, and who as Andrea's choice, seemed more refutation than denial.
"How are you, Daddy?"
"I'm becoming a character out of
Gogol. They talk to animals or animals
talk to them, right?"
"Daddy?"
"Pigeons. I've become overly empathetic. I think
they're getting blacker. Maybe, since
they took lead out of gasoline. I assume
it’s mostly car exhaust that dyes the city."
"Daddy, bad numbers from doctor
Adonis?"
"It's camouflage. Do you remember Darwin and the peppered moths
of sooty England?"
"Very bad?"
"Not good. I've noticed a race of white pigeons with
copper highlights, and then there are some almost completely copper with white
highlights. These are not angels, I
understand that. There may be some
escapees from roof coops. There is no reason to think they are faking being
pigeons, these beauties. They engage
without scruples in the feeding frenzies.
But I'm at the point where I'm encouraging illusions. Carefully. I'm
strict. I try to be. A lonely struggle. I waver, often. My guardianship over pigeons, a compensation.
I'm a wreck. Can't meet the eye of my species."
"Is it that stigmatizing?"
"Sorry, I didn't mean to involve you but
who else? It really is my preoccupation,
but I can't share that with Florence. I
have to be strong for her. That's
certainly better, but obtuse. Silence
reigns. Around certain subjects. We may gallivant about others. She is very brave, for me, about, my
condition. Did you suspect her of
strength like that? I'm ashamed, in the face of her courage, on my behalf, to
raise the issue. To whine. She might, it's another fear, no shortage of fears,
fabulous opportunists...to shut me out.
She might, justifiably, if she just couldn't take my humiliation. I don't blame her, but I need an avenue of whining.
For my metamorphosis. I still remember...Is
it poignantly now? Do I regret the way I
was to them? I was fed up. Years ago, by their calls. How did I punish them? A sigh.
That's sufficient, they're feverish, they pick up on every chill
breath. I yawned. I didn't have to force it. These were calls at eleven, at mid-night. And tedious.
Their obsessions. And now
me. Nobody really wants to hear whining
about nothing. One's tedium is clear to
oneself, but the necessity: relentless. For
nothing more than attention. One realizes this farrago, our life, is about
insignificance. As one fades into it, one cannot offer anything of interest, so
one threatens, to prick interest. So they'd threaten madness, a great
romance. And suicide. Crisis instead of trivia. Transparent.
Work themselves up for the call.
They have to explain, considering the hour, why it couldn't wait, but
there is a dearth of imagination, symptomatic really of the condition, and they
have to humiliate themselves. It's all they have, ugly confessions, to prove
the gravity, beyond apology or responsibility for their actions. How can you reprove someone who has just
admitted they are despicable, too gone for the proud burden of morality? I yawned. As a shrink, I should have made
them more interesting. Failure on both sides.
Cowards, all of us. I was the prince of cowards, their
advocate. A lifetime lobbying for
cowards has left me the epitome of it, but they could not improve me. I was
called and answered, perfect from the beginning. Don't listen to me, that's the
only decent thing I can tell you."
"You're not a coward."
"Gutless. I felt it in my guts this time. Betrayed.
It's in my guts. Recruiting. Ah, sweetheart."
"What did he say?"
"Nothing. Nothing at all. Slippage.
I don't want to have to be strong.
It's certain now. The shoe will
drop. That's all. No news at all, to Fortinbras. To me?
Listen to me. At seventy, I get
the bulletin. Sweetheart, it's almost
twelve thirty here and I'm calling to wail because I can't eat grapefruit.
Robbed of grapefruit. Grapefruit. I'm so sorry, just grapefruit. I'm sorry for your
father to you. The golden apples of the sun, once upon a time. Sorry."
"I don't need sparing. It's terrible news. I've been hoping too. Because it's been terrible from the
beginning. Why should any of us stand
it? Daddy you made us better than
strong. I'm so grateful to you. You
heard and saw everything. They made you
suffer, for them. What about all of us
if you'd been strong? Everything touched you."
"Don't be grateful. I pay more attention to the pigeon feeders
now. The competition, maybe. They're not expressionless. I used to think they had earned complete absence.
Not mad. Religious pilgrims. It was something I granted them, from
enlightened disinterest. No strain to
imagine them removed from time. Out on their own peninsula and time washing
by. They wouldn't go back to apartments
at night. They were just dropped there,
in the act, and then they'd be gone again, plopped down someplace else. On their mission. But, jealous now, I've noticed they beam while
my flock lands on them and eats seeds from their palms. They're self-conscious saints, quite happy with
themselves, and I wouldn't be surprised if they held the rest of us in
contempt. If you noticed them shinning you'd know they think they have escaped
death through divinity. They glow with
secrets. A sweeter madness in its way
than thundering megalomania, but be cautious of their schemes, and the curses
they hide from their flock. They'd be
street howlers if they had the lungs and birds weren't so easily startled and
so easily bribed."
"Daddy, you're not a pigeon
feeder."
"I don't have nightmares. On anyone's
behalf. The mermaids don't sing for me.
I don't see the towers on fire. Why not?
Why is the door slammed in my face?
Didn't I prepare?
Supplicated. I think I did, but
I'm not clean. Sweetheart, I hoped it for you.
I know it for you. You could forgive
me. You could. Still.
“I
was too sure. My equipoise, it gave me away.
You can't maintain your poise.
You must scorch your knees on the gravel, grind your ear down. Down.
To hear the nightmares singing. Andrea, you can hear them. Your
generosity blesses you. You squander
affection. You can hear them, believe
them in anyone. Do you remember my starched collars? You thought they were magical, once, the
whole mortician's craft of laundering. I
still wear them. I haven't been ruffled.
My patients intone, convinced they've been washed in sacred water, they
chant to me of revelation and premonition.
They've had covenants renewed.
And I pull them back, snuff out the ringing in their ears. They've been
blasted, the blow echoes through them, and the insane, they have all known the
garden and been swatted out. They are
broken at our feet from the fall, and I listened and talked the churning body
out of it. Help me."
"Daddy, I will."
"No, tell me. I'll listen.
Forgive me. Show me you do. I would have buried it. You knew it.
Three thousand miles was as near as you could risk. I miss you.
It's what I deserve. Forgive me
now. Don't spare me. Tell me.
I want the chance."
"There's nothing to forgive. You've always.."
"Stop. Forgive me."
"Daddy, how can I? For what?"
"Please."
"Daddy. Don't."
"Tell me I didn't succeed. With you."
"Daddy, you're scaring me."
"Scare me. Tell me."
"What? What?"
"Leviathan. Tell me about him. Please. That you escaped
whole. That I don't always...break. That
I'm not so thorough, places left unscarred. Would you?"
"What would you have me tell
you?"
"Leviathan."
"Daddy."
"His heart in the water. Give me the nightmare. Sweetheart.
A second chance. I'll listen,
don't you believe me? It dribbles
out. It dribbles out, that's all. I just get lost. In my dreams wandering the
same streets. Around and around."
"I love you, daddy."
"You can't help it. I'm only spared
because of you. I love you, too. Thank you.
For carrying my heart, I could never ask you, but I forced you. When I knew you couldn't refuse. Anything, for us all, blaming yourself when
we took advantage of you. Wounded by
the fall of downy chicks. No extra
weight for you, the small package of my affection, my only love, thank you, for
tolerance and noticing, cheeping thing that it is."
From a darkened shore that is only visited
in dreams, her kidney had left its mooring.
A quiet sloshing of harrowed ripples at the slow bow, inaudible, but
already accomplished while Manny confessed his strategy and his weakling's
inability to resist it and his dependence on her to save his soul by a charity
without justice. Both of them crying
over the wires. Manny with all the
relief self-pity can provide and also from the wretched, heady and alarming
vitality and renewed purpose a total surrender to evil bestows.
Imagine a boat. Dreams are often tardy in employing new
technology. And the tides here are
ancient, anyway. Imagine phosphorescence
in the water, a nebular cosmos below as above.
But, mostly imagine silence and drift and vast emptiness and a voyage
unspoken, inevitable. Or a voyage only
sensed in nonsense. The elopement of the
owl and pussycat on a walnut shell.
Andrea has now donated her kidney.
But, this exact moment when the decision was made will never be
remembered. The best she might ever do
to remember is to parrot a nursery rhyme, and in that code of nonsense she may
glimpse the chart of a pilgrimage.
Manny and Andrea crying together, awash in
the same tide.
Andrea:
Stout and robust, a form that could breast
its own tears, and believe this strength of heart repellent to love. Too strong for others to brave or for them to
believe in her surrender or dependence, which were there in full and overwhelmed
her always but not with grief, but resilient joy. Steadfast and rooted and persisting through
others' fickleness, without romance and flush with nature, elated with the act
of breeding and fecundity with all its earthly embodiments. Raise it over her
realized joy. This green arch, its theology happily fallen to earth to be
clothed in clay and so change or realize or fulfill each force of the canopy: Gravity become attraction, light become heat
and life.
Embodied.
The ignited clay.
Commanded by instinct to make love. Love made and made again from the force of
tendon and muscle and the nectar of wanting that was spun into its core by the
lonely gravity of the universe. The
compulsion, its speed and push, swelling the body into a throat to release this
aria which, better than song, need never escape our touch or imply service
other than its resolution to be.
The next day, Manny was able to visit
Lou.
From Florence's description, Manny
concluded the crowd had thinned around Lou, and the mood had grown stale. He did not enter a lively party, the sense of
mischief had left, instead restlessness and a sense of stalled time. Lou was dozing. He had shrunk and discolored;
he looked like a find in Egyptian archaeology: A boy who had been preserved in
a clay vase.
Pearl greeted Manny immediately; she must
have had her eye on the door. She was
not suited to doldrums. She walked to
him with her arms held wide and hugged him tightly, offering him first one
cheek and then the other to kiss.
"Finally. Flo got you here."
"Manny, it's good to see you." It was Laura, their daughter. He had forgotten her voice, a kind of
over-stuffed settee of a voice, slightly abashed, a good voice for a primary
school teacher, quiet, cozy and subsiding into chuckles from self-consciousness. She lived in the country and he remembered
that the ethos out there had seemed to dwarf her into niceness. She offered him both cheeks to kiss like her
mother had and made the same pleased cooing, as if she were smelling baking
bread. They hugged. She felt tightly packed. She was a grandmother now. Manny had thought
she had gotten her beauty from Lou, the palette of heart wood colors and
strong, symmetrically proportioned body, but now in her fifties he could see
Pearl in her face, a severe, intellectual cast to her nose, which was narrow
and beak-like, and to her mouth, which was small with stern lines at the
corners. It did not lesson her
attractiveness to him. He had always
felt that there was no frivolity or manipulation in her. With this constant
thinker emerging, even the sharp battle axe of Pearl, the solidity emerged too.
She was ballasted. In Pearl it may have
been doctrinaire, but in her it seemed to be balanced temper, and loyalty. Perhaps
the reports of Pearl's recent nobility were intimations of loyalty, too. What had once been stubbornness and
righteousness, had pointed her towards virtue, and now in old age and repeated
in her daughter, he could see the underpinnings of their beauty: a promise of
endurance and serenity.
"Good
to see you both, under different circumstances, I wish. When was the last time, Laura?"
"It's been years. She should be flattered you still recognize
her."
"Mama."
"And you, him."
"I think it was Block Island."
"That's twenty years."
"Not since then? I don't remember."
"Gabriel was a boy. I hear he's a father now", said Manny.
They moved out of the hallway into the
room, bumping into each other in clumsy deference. Beneath the glaze of air conditioning Manny
could smell a ripe stuffiness. The other
bed was empty, as Florence had said institutional connections or chutzpa had
reserved the room to Lou and guests.
An old lady sat in a chair by the head of
the bed, which was cranked up so Lou was half-sitting. She was looking at him
with lively eyes. She was Lou's older
sister, the only one in his family who was left, and when she was introduced
she gave Manny her small hand, which was dry and warm and pleasant to touch,
like a stone from a dry river bed, and squeezed his hand firmly. A knit shawl draped over her shoulders. The room was not really cold, but she had
come prepared to sit, and old people get cold easily. She was a small woman,
maybe Florence's height, but with smaller bones. Florence could never look dainty, although
she had begun to look brittle and fragile, but this woman could have once and
maybe what he sensed was a remnant of the pugilistic stance some small women
took to be respected, but he thought the clue was in her being Lou's older
sister. He could not put his finger on
why he had always thought one of Lou's parents had died while he was still a child,
probably his meditative silence or something guarded in his enthusiasms-war
could have caused it, too-but he was sure now that this was the woman who had
raised him, come now to watch over his sleep once again, and dressed as she
might have, even as a girl, in the trappings of motherhood.
"You go there every year." Manny continued his conversation with Laura,
cautious of skidding into that frothy cheer often bubbling around the sick or
dead, trying to find some middle ground, feeling after each word that silence
would have been a better choice, but also feeling obligated as a shrink to show
professional virtuosity around death, to bring to bear his experience and
reading.
"I should have, it's really a
beautiful spot", he continued.
"I was cured of landscapes by
Connecticut. But Block Island has stayed
an island for me. A place of its own.
Lou was planting "the orchard".
It was exactly three trees. And
one was a cherry so, of course, it begged Chekhov and we got too much mileage
out of that."
"We went picking rose hips.
They were in the dunes. Between
two, in a lap, and the ocean was right there. And it's different around an
island. You're on the high seas, even picking rose hips. Land shouldn't be
counted on. It's a composition of the mind."
"Do you remember swimming with
Andrea?" he asked Laura.
"Not really."
"A sandbank at the north of the
island?"
"I know that. Past the lighthouse. I'm surprised we swam there. The tides are dangerous."
Lou dozed on, his light slumber seeming
wound around him, like a dusting of pollen on a dry twig, some late summer
fecundity, bind weed or morning glory, twisted around a hoe. It was a spell of
habit or of substance deeper than form. Catching a little dream, as it would be
called in Yiddish. A dream that could
fit in the teaspoon size of a nap. A
snooze from before the time the balance had shifted and life become the vapor
barely snagged as a nap's dreams had once been.
Lou caused a small alchemy in the
room. Especially in memory. It was as if Manny could see his memory's
breath, as he would see his breath on a cold day. Nothing miraculous, but still a change in
state, and very much like seeing his breath dissipating, the baroque filigree
of it unravelling and disappearing in the air. He felt the separate course his
inner life had taken from his own life and that rather than those moments
disappearing when they split and veered away, it was out of these moments of
thinnest tissue that his memory had built its separate body, as if at those
times his inner life was close enough to happening that it could gather to
itself elements in the world. Those
times must all be preserved, they were the bones for this internal man. Lou's
alchemy was a turning inside out, a quiet flushing of vibrant silences, or if
that was not quite it, then a tuning of silence out of its usually disparate
keys. His dying body just by dint of its
sleeping made sleep distinct from death, and it was the presence of dreams
around it that etched this island out of the black, and by this effect of their
tooling of air, the presence of dreams was made actual.
"You didn't swim. Andrea walked on the spine of that
sandbank. So did you, holding Gabriel's
hand, he must have been eight or so."
"Walking out there is different. I don't think I ever swam."
"There was a seal in the water. Just his head above the swells, looking at
you. Andrea later spent a summer on the
west coast, on an island, counting seals and grey whales."
Gabriel had spindly legs and ran along the
shore like a sandpiper until you made him come back and put his hand in yours
so he would not be sucked overboard off that slick spine. He was not yet as tall as your shoulder. You had muscular shoulders, a black bathing
suit, cut in a `v' down your back, showing the muscles flickering when you
walked. I took the boy's hand from the other side and walked with the sheering
suck of the tides, otter skinned, frothing on my ankles.
[He knew what Andrea had seen, knew it in
the space of a second when Andrea was standing distantly outlined against the
sea opening and closing like curtains over the sandbar, and knew it again now,
not simply recalled, but opening and continuing to open. There was no mercy in
his look, it was angelic that way, it was perfect and cruel, it was all of
those things, vacant, fixed, serene, aloof, but it was another thing, too. It
was an aspiration. It was not him being cleared out and aimed blindly at
himself. He remained. And who remained was stranded, and she could
be blamed because all that was left behind in him that was cunning and shy was
what had not been touched by love and would have changed with it. What was left longed for what only love can
make unashamed.
She saw him take the child's hand. He was a beautiful child, leggy and lithe and
quick and with brooding moods which made his heart and smiles worth winning. It
may have been this engineering for gambol and trek that had recommended his
father, a thinning and shaping of the more pithy strength of mother and her
father. Laura with her upright carriage and tight haunches may have found an
onus in being a Jewish beauty, a night shade in it a sunrise seeker with all
his will-o-the wisp would lighten, and this child with tip headlong, a deep
arch to his foot and long shank and high calf, was the thing accomplished,
irresistible to Manny, Andrea knew, the lithe, the svelte, the un-bodied spirit
free of mud.]
Lou woke.
He did not seem to recognize anyone for a moment. He did not look alarmed, only curious.
"I'm back. Manny? You threw me for a second there. Anybody else see him?"
"He's really here."
"Give me your hand, Pearl, I want to
see if I can trust your testimony. So,
you made it."
"Been busy. I am giving the plenary."
"The plenary. Congratulations."
An old couple was entering the room. The man shuffled in leaning heavily on a
thick black cane, his wife at his shoulder helping him to balance. He looked like he might have once been a
farmer, he had broad, stooped shoulders and his hands were enormous. Or, he might have once been a small town
pharmacist; the couple's plainness seemed idealized heartland, and perhaps
worn, as he had sometimes seen it, as a retort to Manhattan flamboyance. Pearl got up to usher them in and Manny stood
to offer his chair.
"Bert. Midge", Lou said.
"Waited for the exciting part", Bert
said, speaking through labored breathing.
"How are you, Lou? You look good", said Midge.
"That's because she's used to
me. You are dying, aren't you?"
"Bert", Midge said sternly but
with ritualized exasperation.
"They weren't fooling with an old stick in the mud? I wouldn't have come to see a recovery, not
even my own. Can't change gears like
that anymore."
"They weren't kidding."
"Well, what do you think of
dying?"
"Bertram", Midge gasped, the
straight man in a routine that had been ground out of a marriage.
"Now, dear, he might welcome the
chance. Got a standing reservation here
myself. Anything to yammer?"
A green cardigan, buttoned crookedly, yarn
nits visible, bagged across his concave gut.
His wife was carefully attired, his sloppiness seemed an affected
absent-mindedness.
Lou looked at Pearl and his sister.
"It's personnel. I don't mean private. It's individual. It's different than other
things. I didn't expect it to be strange."
"Well, I haven't got any of that, do
I Midge? Wonder if I've had too long to get tired of it. This arthritis takes its damn time and it's
just frosting on the cake. It's been a
long time since it felt strange."
"Lou was always a great
swimmer", it was Lou's sister speaking.
"Bert fished. He never missed a
season. Shad and bluefish."
"Forgot about the shad. I didn't think you had such fondness for it."
"And you fished for wall-eye. He had a guide. For years.
Cottonmouth. How could I forget
that?"
"I don't know, but you did. I called him `mealy mouth"."
"You didn't. You idolized him."
"He deserved it. An alcoholic and a thief and a liar. Refreshing.
Married three times. All at
once. I don't think I ever caught a fish
with him. Wouldn't of used him if I
did. Takes real contempt and insight to
masquerade as a fishing guide with only wickedness and stupidity to serve you. He put all the others to shame. I guess I'll miss him, alright."
"Lou wouldn't come back on his
own. We had to wave from the shore. I'd trip along in the foam, waving like mad
to get his attention, and he wouldn't come back till he was blue. We'd wrap him in a towel, like a boxer, and
he'd shake and shiver. And he'd get ear
aches. And your eyes were all lit up,
your hair thick as wax", said Lou's sister.
Lou looked at Bert, then back at his
sister, and said,
"I wanted to swim to China. Some planned to dig, I was training for the
swim. Why not? The world was round. What a swell deal. I could go anywhere from where I was."
"Couldn't hold you long. You liked putting your belly in the sand and
soaking up the heat. You liked being so
dirty that I had to shake my head."
Lou patted his sister's hand.
"Sometimes it's like a train
ride. Remember putting me on the train
for the army? Changed like that. Near and far right here in the room. Remember when our hands slid apart through
the window? When the train started to
move? It was a small tug, a hint, but
you could feel the train in it. I felt lucky about it. Not right at the time, I wouldn't call it
luck, but afterwards I knew I was lucky for the chance. I get that a lot now, the first feeling I've
always felt lucky about, about being here to catch feelings like that right in
the bull's eye."
He talked to Bert. His voice changed. An undercurrent of boredom or frustration. He
had said these things before or similar things, pushing against Bert's
descending weight, against the imposition of his size, the way he would have
had of hauling his body into a room like drayage, a beast of burdens, even
before the descent of great age and arthritis; pessimism used as a tyranny over
intelligence, overruling it or taking precedence.
"In the war life was thick and thin
at the same time. Getting killed wasn't
strange. Any hour would do. There wasn't enough boredom in any hour to
build a wall so it would have been absurd."
Over the three decades Manny had known Lou
he had almost never heard him talk about the war and had credited this to Lou's
imagination and enthusiasm for his life.
He was surprised to hear him lapse into it now. He did not think Lou needed some reminder of
past courage or gristle. With his sister
he had been talking of the last time she had been a mother to him. With Bert, there was heat from an old clash.
What had worn at them? What would the
war have answered to? And in a moment Manny
was sure he knew. The war answered for
Lou's beauty. Bert would not have been a bad looking man, not handsome
certainly, but the boyish, open cast of his features would have spared him from
the sometimes simian look of large boned men, and yet, the persistence of the
boy in that large frame, tantalizing, haunted, encased-Lou's ripening must have
looked a privilege and exemption. The older man had to have worried or guessed
that this beauty undaunted after tests of courage and later attritions, marked a
higher conscience than signs of ravaging would have. It was not privileged or exempt and also, not
merely bratty or insulted or disappointed or fed up or bored or contemptuous,
which might have seemed a technique for its survival. Bert must have tried to disprove it, but it
must have rebuffed such tests and shown its conscience and love
undiminished.
"Glad you made it, Manny. Last chance to force you into the red
brotherhood", said Lou.
"You need brothers? I got a passel of them, interrupted Bert,
"Three of us left, like those witches, but we don't have a good eye to
pass around. We were five. Warren died.
Eighty years ago, at least, I'd say.
And then another one a few years back.
Which one was that, Midge? Did
you write it down?"
"It was Orin."
"Orin? There was an Orin? That might have been sent to the wrong address,
dear."
"Hush."
"How did they find us? We didn't attend the funeral, did we?"
"You know we didn't."
"Wanted to make sure that you didn't
slip it in our itinerary among the concerts. You know I wouldn't notice, sleep
through 'im all. One of those organ
concerts, Bach, slip the coffin in at the wings?"
"We just got a notice."
“I may not have liked, what's-his-name,
Orin. I can't recall."
"You loved Warren."
"I said that? He did have the best timing. Locked safely in the long term memory
vaults. Measles. Like a Polynesian in Paradise. Somehow missed it the first time
through. He's the only name I'm sure of.
He's buried in Iowa. I don't know where
the rest of them are. I'll tell you how
young I was. I was jealous of all the
attention he got and I tried to be pious so I might die too, be so insufferably
sweet I'd be called to God at the funeral. My nose was running and I knew that
would spoil my chances to get called, but I wasn't giving up. I wiped my nose on my shirt sleeve and hid it
under my coat, God having similar vision to my mother he wouldn't know until
too late. I told my mom Warren would be
cooler now, he'd died of fever, clever me, and I was just hoping god was
listening to how innocent I was, because besides his getting so famous dying I
didn't care whether he froze or sunbathed after pulling this off."
"Bert, that's not true. He's the reason you left Iowa. The family was never the same again."
"I said that? If I could spare the blood, I'd blush. I must have been wooing you. Melting your heart. Too late for you now, dear. Well, he was ripe. Plucked like that."
"You worked with Lou?" Manny
asked.
"I hired him. Worked for me over twenty years until I
retired."
"Lou inherited your post?"
"Oh no. Never did.
Wouldn't have wanted it, anyway."
Lou opened one eye, "That's
true."
"Too much real politics. Preferred his spectroscopy, didn't you?"
Lou nodded tiredly.
"I'm an M.D., I had to stay inside my
limits. Lou got to look at the pretty
pictures while I got arthritis shoveling...the manure. M.D.'s are considered vets around the institution,
aren't we?"
"Grooms."
"The patients always get in the way
of the cure, which is our fault. Mud to
the elbows. I'm still farming."
"You're retired, Bert."
“I don’t like corn that makes me
unpopular.”
"Au contraire, Bert, it was once your
staple, not Lou's," said Pearl.
"Never."
"I seem to remember you had it stuck
between your teeth during the Vietnam War."
"Still had my teeth then. You've got a long memory. I defended him."
"You counseled silence."
"Patience was what I counseled."
"It sounded like silence."
"I defended him. The Institute did not feel it appropriate to
take a position. I simply suggested he
look around and notice who he was offending. He was including the institute as
a silent partner. We're a cancer clinic,
and I remarked how nobody was thinking of firing him, none of these war
mongers, though they could have trumped up charges on his qualifications."
"And you don't think that was a
tactful threat?"
"It never was. The worst you could
say about us was we're dowdy. We are not
set up to re-act like that, and given the nature of our work, it was a damn
great group of guys to work with, which was worth remembering in the heat of
the moment."
"And less worth remembering, Bert,
was the steady reference to your magnanimity in hiring him and the test in
circumspection he was putting you to."
"That's thirty years, Pearl."
"It smells fresh as yesterday,
Bert."
"So, Bert, have you two met? My wife, Pearl. Pearl, my boss, Bert. I don't want either of you to think I ever
served wimps. And Bert, she's followed
your advice about patience better than I have all these years and is still
waiting to hear you admit that you didn't fire her husband out of largesse but
because I was indispensable."
"Hogwash. One of us had to act mature."
"Now's another chance."
"Well, you..."
"Wife, Bert, that's my wife."
"Thirty years."
"Long enough."
"This is a mugging. I was sensible. Midge, that's all I can remember of the whole
thing. People didn't stop getting
sick. That should be remembered. Entirely indispensable, Pearl. How's that?"
"A good beginning, Bert. Doesn't that feel better? You’d regret not
admitting it. Manny will back me up on
this. These things can't be left unsaid.
Manny?"
"Pearl, it's that happy optimism
that's killing Manny's trade. It's the
grim profession."
"That's economics."
"Well, it's a carnival compared to
psychiatry."
"Daddy, it's not grim."
"You're speaking from
experience?"
"Lou, you know she was."
"So, who'd you find out was to
blame. Me or your mama?"
"Nobody's to blame."
"Pearl, does that mean we were
ineffectual? Neither of us left an
impression?'
"Daddy, you left deep
impressions."
"Like your mama says, now's the time
to tell it."
"But, nobody's to blame."
"See what you guys have done,
Manny? You're the guys who've cured
them. It's not going to be easy leaving
you without a grudge, it's kept your mama alert. Pearl, you'll see to that won't you? Lest she forgives and forgets. There's still undeserved suffering out there.
Laura, you mustn't be so quick to forgive. Don't think about putting your mama
on the back shelf, she's a clever plotter and she has her reasons and they're
diabolical. Keep looking over your
shoulder, she hasn't lost a step."
Manny had given up his chair to Bert and
was leaning against the bed that had been left empty in this double room. Lou motioned him over with a withered
arm.
"Manny, I need you to show some
backbone here. You are respected by
these two gals. They'll listen to you. I need you to tell the shy one there to
beware of soothing. She is a masseuse
and she lives in a colony of masseuses.
They all do a lot of soothing.
She's from a crankier lot but she's doing well up there and it's a cause
for worry. Only you could do this,
Manny. M.D. and psychiatrist. Tell her that blood is thicker than water,
it's your stock and trade. No peace without justice. Pearl, I wish you weren't so satisfied being
a grandmother. Too much nachas. You're
turning into a harmless fuddy duddy."
"I beg your pardon."
"Happiness has pulled your
fangs. How will you two manage, when you
get along so well? You'd think you
hardly knew each other."
Bert rapped his cane on the floor. Midge asked Manny if he would take one of
Bert's elbows and help her boost him out of his chair. Bert crossed his arms and each taking an
elbow they jockeyed him to his feet.
Manny wondered how Midge managed this at home. He was so big, it must be tempting to rest
his weary bones. He had sunk lower and
lower in his chair, any time he might yield to the urge, take advantage of a
nap to not wake up. She had become his
shepherd of sorts. Throwing a pebble now
and then to start him moving again, poking him with sticks, what was left of
life in the old body being only irritants, the old beast, reluctant to move and
feel his bones grate on each other, the sad thoughts of a life time's
warehousing dragging him down into slumber.
Bert brushed Midge and Manny back with a
stiff breast stroke motion of his arms, and then rummaged with his big, knobby
hands in the pocket of the cardigan until he had found a small bag. He put it in Manny's right hand and closed it
around the bag and then held the fist in his big hand. He was reluctant to release Lou's hand.
"You were very good, Lou. You made me look good. Thanks."
"You're welcome, Bert. It was good working for you. Best years of my life."
"Hah."
"Oh yeah, they all were, every sweet
year."
"Every sweet year," repeated
Bert. He was a man who had purposely and
with relief found no sweetness in science, a member of the deacons who count on
science to verify mechanism, not light, as the universal principle underlying
beauty and ripeness. Manny's complexion was unusual among them. Even after a winter in the labs, when his
skin had paled it still held a muted tan, like timbre in wet ground. Manny knew then while Bert continued to hold
Lou's hand that Lou had been his repository for a love undone. Manny was sure this was the first time Bert
had ever touched Lou during the whole forty years of knowing him.
"Lou, he didn't mean half of what he
said. We went back to Iowa for
years", said Midge, putting her hand around Bert's arm. Bert finally released Lou's hand.
"You're not a doctor. You've never been disappointed by a
patient. By all of them, actually. You get used to it. I stuff their tongues back in their mouths
and close their eyes, at least I did for a while, but I stopped. I got a peculiar feeling from it. Like it was mischief. They'd failed me. We start out with superstitions. And they die and look like idiots. Of course, you have to believe them, it's a
death bed confession. I was only
eight. He got sick about the time I was
pretty much better. Some of my other
brothers still had it, but you get the picture.
I brought it home. I'd had the
fever and floated, the way you do at 103 degrees or so. You know how they keep the room dark, and
they kept a wet cloth over your eyes and forehead. I know better, I made myself know better, but
it's hard to shake the eight year old. I
snuck in, sat next to his bed."
"We should go, Bert. He loved Warren. He was eight years younger. Worshipped him", said Midge tugging at
his arm, hard enough to make him stumble a step, but he regained his balance, and used all the slag in his stiff body to
plant himself, bringing his wife up short, awkwardly, almost with a jerk.
His big black shoes looked huge, and
impossible to move, orthopedic shoes with thick crepe soles and broad, round
toes. There could never have been a time
he could have been rushed from a room.
"That's not the point. I thought: I'm just too little. You know, at eight, the bed sometimes comes
with the dream. Like a boat, and then,
when you're delirious, even more. Sometimes
you float over the whole room. But, I
thought, I'm too little. Warren gets to
keep that, but I had to give it back.
Those sweet dreams. He got to
keep them. Stole them, from me. And I never got them back."
"Midge. Where are you, gal? Steady me. Can't feel my feet anymore except
when they hurt. She's more than I ever
deserved. She's put up with a lot. I've done that for her. Made her good. I believe I've saved her. It's the one good thing I did."
"Come on gal. Push me along. I'll take my leave now, Lou. Ladies.
Slim. Forgot your name, but only
once, so don't be insulted. So
long. Midge?"
"Yes, Bert."
"Make our good byes for us. I think I'll say the wrong thing. So long didn't seem right."
"Good bye, Lou. Pearl, so good to see you again."
"Good bye, Lou. That's all it needed? Depend on you, woman. Lou, see how I need her? Good bye, that's all it takes. Get me out of here. Old eyes, pissing like race horses. They do that.
Good bye. Lou. Lou?"
"Bert."
"Sweet dreams, Lou."
And they were gone. The rest sat quietly in the room.
"Manny, you ought to go out to Block
Island. You and Florence. Don't you think so, Pearl?"
"Of course."
"Of course. You heard that. In twenty years you're out there once. Pearl, what were we there for, the last eight
years? What is it, eight months a
year?"
"April until Thanksgiving, what is
that? It is eight"
"So, promise me, Manny. You'll go out there."
"I've meant to."
"So, promise. It's nice out
there. Make the promise."
"I'll try."
"Make the promise. OK?"
"Come on, Lou. What is this?
If he wants to, he'll come out", said Pearl.
"Uh-huh. Promise."
"All right. I'll..."
"Yeah?"
"I promise, but I'll have to talk to
Florence."
"Yeah, but you promised. Pearl, when he gets there, put him out in the
orchard. I built a bench out there,
Manny. You heard me, Pearl? Put him on the bench."
“I have to run. Plenary tomorrow.”
Two nights later Lou died.
He had been dreaming. He hardly had the strength to stay
awake. He had to organize to do it. It was a difficult project. He compared it to putting up a circus
tent. He had to rally the crew and set
them to work. Opening the senses,
admitting the pains and insults, working against his will to resolve them into
their places and components: The turgid flow of his blood precipitating into
his veins and cold limbs from a twilight glow in his drowse, the warm flows of
urine into his diaper (an indwelling catheter had proved too painful and since
he was mobile, unnecessary) the porter colored urine, returned to cold and
irritation on his bed rashes from a pleasant summery enveloping of his
dreams.
He had dreamed:
He was on a bus trip and for some strange
reason he was going alone. He had a
family. Why wasn't he taking them along,
and why was he travelling by bus when he owned a car? And where was he going, anyway? These were all puzzles, but they seemed the
musings of a daydream, dilemmas for a person he was only imagining. Maybe he was imagining a life he might
someday have. He must be heading to Fort
Dix, to be mobilized for Europe. Well,
he was not prepared for that, he didn't have a duffel bag and no orders to
report that he could remember, and he must have gone AWOL to be so out of
synch. What would they do with an old
man, anyway? Not even the army could
make much sense out of an old man reporting late for duty.
His nose was practically touching the
window. They were driving through
countryside in Indian summer. He was a
little cramped but there was a gainliness to his cramping. He had his khaki clad leg propped on a little
sill, there was some cockiness to that he hadn't seen for a while, and even the
way he leaned his elbow against the window, it was lazy, but it was lazy in
that luxurious, hedonistic way you had when you were young. Where his sleeve pulled back, he saw his
thick wrist covered in black hairs. He
had on a pair of shiny black shoes, he thought GI but that didn't seem quite
right, but they didn't look like his shoes, and miracle of miracles, his knee,
bent the way it was, didn't hurt at all.
Was it a cloud overhead, or did they pass
into a tunnel?, but sometimes it would go dark and he would catch a glimpse of
an old man's face reflected in the window where his face should have been. The old man was sleeping. Lucky that, he probably would have jumped a
foot if he had been looking back at him, as it was, he felt curious about the
old guy. His face was deeply carved, his
cheeks hollowed out, and he didn't like the looks of his open mouth. Well, it wasn't howling, but it just looked
too damn tired, he looked too grateful for sleep, like he'd barely made it, but
if you had to run just to make sleep, which is what it looked like he'd had to
do, what happened if you didn't catch the ride?
Did you have to stay awake? He
didn't see how that could be enforced, but then, where else could you go? He decided he liked the old man's face, liked
studying it once he got over the scare of seeing it floating outside the
window. He would just about carve it
that way himself, if it had to be done.
He favored the brow ridges, the closed eyes were sunk too deep, but the
forehead, he could live with that, he liked the beard that ran along the jaw
line, and the tuft of goatee. He might
have changed just that expression of exhaustion. The geometry in the features attributed to
character, he was content with that. The guy looked a little too stern, but no meaner
than what could be blamed on the effort to keep going.
The countryside was familiar, old farm
land carved out of forests that still covered the intervening mountains. Farms in the valleys and bottom lands; a
banking up of land, a place made of pocketed places where landscape eased down
on the land and earth hefted itself up into landscape, land mixing in a word
and somatic dough, tucks where time got folded into the batter.
They passed through a small town built on
two sides of a river that had cut a deep gorge upholstered in autumn yellow
shinning bright as metal, the river stippled with whitecaps where the swift
ribbon sheared against the rocks in rooster tails, a fisherman standing in the
glide, cantilevered pole, a stencil wedged in a fractal of time, and the
bicycling boy gliding backwards past the windows, held stock still, knees tread
milling, spokes florescent in their whirl, seams and artisan cavities in time
and in its viscous wake, the stopped clock on the steeple putting its foot in
the door of one hour held open forever.
They round a curve and the view opens up
and the canvas is stapled to the wall by trees' glowing crowns. It is like a landscape in moonlight, how it
is seen through-the-looking-glass in a photo negative, but here not in ghostly
nitrates. They descend its climbing
scale, down the palindrome from white into color. In this heavy October light, mountains,
sumac, Rose of Sharon have shrugged off the shouldering of function that
earthbound them, and bound in light more securely than they were by matter,
their shapes no longer crusted interiors, they become a step for light to alit
on, a prism for it to vagabond in clay.
They were deep into the country and the
bosomy hills gave off a soporific warmth that glazed his cheeks and the corners
of his mouth and tickled his temples through the half-opened windows, but as
they wound their way farther and farther the journey was not winching tighter.
He knew he had been on the bus for a long time; he had made a nest for himself
on the seat as you do when you have been traveling for miles. It's just a feeling, but you start to claim
the seat and its perspectives, rejecting alternative seats, making it your home
ground. But he could not remember why he
was travelling and where he was going.
He felt he might either be heading for trouble or escaping it, and while
he worried about its catching up with him, he also had that glorious feeling of
being lost when everything becomes unstuck.
"We're here to see the leaves."
An old woman addressed him waiting for him
to recognize her or else for him to agree with her, but for some reason her
simple statement seemed impossible to translate, as if her sentence had been an
object dropped out the window and was already behind them on the road. He could recognize everyone on the bus, but
it didn't seem possible that he should.
Here was a girl cuddling a lamb, why should he have known her? The family with crates of chickens and a
donkey, it was somehow terrible that he should know them. They were refugees, why should he recognize
them in their hour of sadness? How could
he possibly know them by these strange things they cherished which were desperate
and comical to be taking with them?
Leave them behind he wanted to say, but felt it would be mean. He felt guilty about seeing them this way or heartbroken. His heart had just been broken. He could not remember what had been said, but
it had broken his heart. His life had
stopped right then. It was lost back
there on the road where the old lady had spoken. He was culpable for the dreariness that let
him see futility around him. It takes
one to know one. His heart attack had
slowed him down. He had put a calculation on happiness from then on. He had failed his heart, had they been
compatible he would never have had his attack, and afterwards, his
accommodation was too pert; that supposed sufficient replacement for what he
had had.
"Pearl", he was sure he was
calling her in the hospital room but he was not, she was reading by his side
but the room he spoke into had nacreous tints of morning, and he said,
"Why'd they name a red head, Pearl?"
She was waiting for the punch line.
It was an old joke with them, and he had thought, for once, he was going
to be able to export to the world the conclusion to those long skeins of pure
logic we spin in dreams, and here it seemed he was just reaching for an old
chestnut. "Because I love
her", he said which was the truest thing he had ever said and this
astonishing conclusion, the product of an inspiration whose lineaments he had
seen in his dream, would blow her away, as it had him, with its discovery of
the inevitable twinning of those two words, love and Pearl.
The crown of a single maple was stuck
behind his eyelids.
Like looking through a kaleidoscope or the
blossom of fireworks.
A red leaf cumulus raftered with black
branches.
The leaves rustled in the heights.
The crown filled his eyes, the leave
bunches like nebulae and
galaxies, a cosmos whose reaches were filled with sugar.
He liked the grate and sizzle of his
footsteps on the gravel; he skated his soles on the
ball-bearing pebbles.
If I have a stone in my shoe, I know I'm
not dreaming, and he had a stone in his shoe, near the ball of his foot, but it
did not hurt, not a bit. He was happy
with himself for letting gravel tumble in over the tops of his shoes, for
scuffing along in the way that bruised the toes of his shoes. It had never been mischief, it had been duty;
he was obligated to the tartness and scruffiness of boyhood, as a member of the
clan, obligated to his talent.
If the stuff of dreams were more amenable
to carpentry you might build a single gold bird whose own emptiness would crank
up into motion and itself startled, flap off somewhere that had no dreams or to
somewhere only dreamed, where never tarnished, it might continue forever since
it had no regrets.
Dry leaves blowing down the well
headlights dug in the dark. Empty cowls
scuttling, swept off, twirling and blowing, glimpsed in their underworld
migration. They would make a fugitive
sound if he could hear them, a rattling sigh as they churned and were swept
away, those last weaving falls touched with grace and melancholy, flights of
sad fancy, daydream and rue over and done. Falling, surely falling, to
dreamless sleep.
A sheet laid out below him, bursting apart
by the pressure of swallows white breasts, who in the acrobatic course dart
past in upward flight, wheeling around his intrusion with the indifference of
birds, adding him into the world of objects, refusing him entrance into their
clairvoyant tailoring of sky.
"I'd like to rest for a while, from
resting. It's getting me sea sick. Pearl, when this is all over I'd like to
build some bird houses. One for each sect. I want to invest in bird houses. Will you invest me in bird houses?"
How clear she looked. Damn if he wasn't
seeing Pearl making herself from her name.
Pearl making a Pearl, is what it was, a Pearl machine. Building herself around the stone of herself,
a stubborn woman she'd always been, and more power to her for remaining
true. It had become a thing of beauty,
hadn't it, this pain in the neck?
"Bird machines. I think it's a
smarter investment at this point. I
definitely want to switch my daydreams from aquaculture. The future's above. A bigger ranch and they'll work for a
song. Investing in sky farming is
perfect for a loftmensch. No heavy
lifting, just holding on to the concept is deed to the homestead.
Bird houses. Sky nets. Including: Clouds,
vault, celestial. To catch a song.
So, if you would, invest. Or allow me to be your agent. If an octopus
made pearls, it would come out a chandelier.
And if a bird sang in winter, it's a chanticleer. You have to think:
Pearl by another name. Pearl farming, but
differently. Just add sky.
Life’s been my oyster. Pearl. Pearl?
A
family of deer were eating fallen apples.
A doe, her two fauns and a yearling, in their ash-silver winter
coats. He noted their black hooves, like
ballerinas' toe shoes; the only tentatively suppressed bolt in each tip-toeing
step, picking their way through the grass with knobby-kneed, muted prancing
steps. Each step tugging pleats on its transparency. Between, he thought, a time between time
hanging enchanted and precarious. It was a rare privilege to spy on them inside
their fragile peace, looking in unnoticed at their shiny black snouts, and
their Egyptian eyes, so beautiful and spiritual, catching them in the eddies of
their domestic moods, heads down rooting for the rusty little apples, tail
flicking a fly or suppressing a snit, standing flank to flank in a bovine
sisterhood.
Blackbirds had gathered on the lawn. He had always liked their golden eye. They
were standing in rows like lawn ornaments.
At this rate, it would not be long before the grass was covered with
them.
A woman walked towards him, holding out
her hand in an imperious and elegant way.
To be kissed, it might have been, so elegantly was it offered. Her eyes were dark and her nipples showed through
her blouse in what he felt was a display of intellectual freedom. She was saucy and she dared him something,
and he thought she was daring him to recognize her and take the consequences.
Obviously, there was a price to pay if he did, and he was being goaded for
being less heedless of consequences than she was or just as likely, for
daydreaming his way out of them. She was not going to humor evasion; her
breasts underlined the point. It had already been decided, and not wearing a
bra, it was convenience or literalness, not assertion as he had first thought,
but a concession actually to him and utility, matter-of-factly contracting with
romance's day to day schedule, a strategy to get out of the way of the heart
and facilitate repetition with plain habits grounded in faith, certain of his
return and dedicated to it.
She was reaching for his hand, also held
under joint account. She had been
waiting for him, and while waiting had been counting blackbirds.
"Seventy-nine", she said.
"You didn't need to bother."
"Now you don't have to."
He would have and he was glad he would not
need to waste the time that they might now use for a walk, or much better to
make love, since she was young and willing.
And it was to be. In San Francisco that day, landscape of green
hills, blue sea into silver glint, wind stretching the clouds, they met and it
was love at first sight, first sight again, which is only love stepping out in
the world. She walked towards him where
she had seen him approaching the picnic tables in his soldier's uniform and
took his hand, a red head whose whole fiery temperament had been tempered to
the sure seizing of that entrance of love into its time, bold and wise and
elated at the steps of her life finally reaching secure ground for the time
being, for time being.
He surfaced again from his slumber. Pearl had taken his hand.
"It's confusing", he told
her. "It's getting sticky."
She was the only one in the room.
"I wouldn't mind hanging on, just to
inconvenience them, but I don't think I'll get much kick out of it soon. If I owed anyone any money or a chance to
spit, I gave them the chance."
He nodded and looked at her with his
eyebrows raised and his lips pressed tight in a "chin up" smile. He rummaged beneath the covers and pulled out
the little paper bag Bert had handed him.
Inside was a small bottle for eye drops with an eyedropper's rubber
nipple cap.
"Pearl? Do you have your compact?"
"In my purse."
"Would you..? What is it? Powder your nose or put on your face?"
"You want me to leave?"
"Oh no. I want to watch you. It'll make me feel lucky. Give me the purse. Come on."
She brought it to him.
He fished around, made her keys jangle,
pawed the heavy leather coin purse and then the bill fold with its leather
strap and snap, plump with credit cards.
He had a dreamy smile on his face; he clinked the loose coins in the bottom
of the bag.
"A lot of ballast in here."
He savored the objects in her purse, all
of them familiar but still slightly sacrosanct because of their location. He probably had never been in her purse
before. He pulled out a kleenex with a
stain of lipstick on it.
"I'm a lucky guy", he said,
opening the compact and looking at its pad of rouge and mascara. "If I believed in an after-life I
wouldn't be able to stand missing these things.
I always thought they were swell.
He handed her the little plastic case. "It'll run", she said.
"I'd really like to watch you do
it."
He had trouble opening the little
bottle. His hands were swollen nearly
tight. It was like wearing mittens. How had Bert managed to transfer the morphine
to this tiny container with his arthritic hands?
Pearl was watching him around the little
mirror.
"Please, go ahead. The front of your hair."
"It's already fixed."
"It always is, but I like that
part. It's kind of daffy. Fiddle with those bangs."
"I don't have bangs."
"And if you did they're already be in
place. I've just always liked that
finishing touch."
Finally, he got the cap loosened and
squeezed the nipple and brought out a dose of the liquid. He put one drop beneath his tongue. It would take more, but he thought he might
throw up if he took the necessary amount all at once. When he felt the drowse
really coming on, he would dispense the rest.
Six drops would do it.
He waited for the morphine to be absorbed
and then took a drink. His last
drink. He could hear himself
gulping. He remembered drinking from a
water fountain as a kid. He used to gulp
the water then. Gulped everything he
drank, it was so dandy to quench your thirst.
The water had a metal taste and it had dunned hollow going down the
drain. It had slapped on the stone
bowl. He had been flying a kite. He had
run and run, looking back at the kite bobbing on the string but refusing to
lift much, a clumsy package trailing behind him and trailing its rag tail, the
string stiffening and pulling, tacking erratically, but as soon as he let out
more line, drooping down again almost to the ground. And then, he broke through a spell of
futility, the ground suddenly dropped away, and the kite wrenched itself from its
leash and started to climb, the bobbin on the stick spun in a hazy blur as the
string slid from side to side unwinding, and within a minute the kite was a
speck in the blue still tugging with a strong will to rise. The string hung in a lush shape molded by the
wind. He had wanted to let it go. Only a loop tied at the end was holding it
back. He let it lift his arm from the
shoulder. If only he could have gone
with it. He was breathing those deep,
relieved gasps that are scary, magic fun to a boy, and he was looking up at the
kite and it was uncannily, vanishingly distant, but mostly it was just blue,
blue, blue and it was tugging at him, distance itself or blue itself, he was
being made to fall up. And then he had
gulped and gulped the water at the fountain and remembered even the metal taste
and leaning against the fountain on his toes so his shirt got wet and how hard
it was to turn the faucets of those fountains with a little hand trying to keep
the arch of water going, and it was because he had just found out that he would
never fill up and he was eager to do everything he knew again in this new
light, try them all again knowing they would go inside him where there was
plenty of room for them to stay. It was
not thirst, it was trying everything again in the light of his being there and
taking special notice of them and putting them away after he had used them.
It had remained where he had put it.
When she was finished putting on her face,
Pearl kicked off her shoes and padded to the light switch. Turning it off left the room dimly
illuminated by a glow from the bathroom light down the short hall.
"Gimme some room, Lou."
She lay down next to him.
"Lou", she again, a little
differently. She curled in next to him, lying
on his arm. He put his arms around her.
"Pearl was the best I could ever come
up with. Your dad beat me to it. I wasn’t being lazy. The house is shingled and
painted. Daughter married off, kids of
her own. We got the bulbs in the ground
for next year. That's a good day’s work for Lou. Sorry to leave you, Pearl, but I think I'm
gonna catch forty winks. I'll never stop
loving you, it's easy. I can do it in my
sleep."
"Good night, Lou. Sweet dreams."